1. tapestry - to illustrate work on a warp, not on a web. From Akhmin in Upper Egypt. Ancient Coptic. (In the Victoria and Albert Museum.)
3. darning AND satin-stitch on square mesh - The darning on leaf, green, following the lines of the stuff; outlined with yellow, veined with pink and white ; stem, yellow, its foliation pink, outlined with white, and ribbed with blue and white. Italian. 17th century. (V. & A. Museum.)
4 cross-stitch UPON linen. Hungarian. Compare Illustration 45 (Flat Darning Upon A Square Mesh).
5. cross-stitch sampler - A and B, solid ; C, line work ;
D, stroke-stitch - called also Holbein-stitch ; E, stroke and cross stitches combined.
6. canvas-stitch in coloured silk upon linen. The band
Italian, the foliated diaper Oriental. (Mrs L. F. D.)
7. canvas-stitch - Design comparatively free, but showing in its outline the influence of the rectangular lines of the weaving. Cretan. (Mrs L. F. D.)
8. canvas-stitch sampler - A, tent-stitch ; B, half-crossstitch ; C, cushion-stitch; D, Moorish-stitch, so called;
E, plait-stitch ; F, couching on canvas.
10. two varieties of canvas-stitch, the pattern in the bare linen, the background worked - A, plait-stitch, the ornament outlined ; B, stitches drawn tightly together so as to pull the threads of the linen apart, giving very much the effect of drawn-work. Compare Illustration 2 (Drawn Work). (Mrs L. F. D.)
13. crewel-work - The stem only worked in crewel-stitch.
Embroidered in green, blue, and brown wools upon white cotton. Old English. (Coll. of Miss Argles.)
14. crewel-work, in which crewel-stitch hardly occurs.
Embroidered in coloured wools upon white cotton. Old English. (Coll. of J. M. Knapp, Esq.)
15. crewel-stitch in twisted silk - The scroll in green upon a brownish-purple ground; the smaller leafage upon the scroll in brighter green ; the flowers and butterflies in blue and pink. Modern. (Mrs L. F. Day.)
17 & 18. chain-stitch sampler - A, chain-stitch solid and in line ; B, magic stitch ; C, church chain ; D, cable chain ; E, Vandyke chain; F, Mountmellic chain; G, Mountmellic cable - all so called.
19. CHAIN and surface stitches - the latter a kind of buttonholing, only occasionally worked into the stuff. Part of a lectern cover in white thread upon a thin, greyish white linen stuff. German, 14th century. (V. & A. M.)
20 & 21. herring-bone sampler - A, B, C, varieties of herringbone ; D, a combination of A and C ; E, fishbone ; F, a close variety of A ; G, tapestry stitch, so called.
22 & 23. buttonhole sampler - A, B, C, ordinary buttonhole and variations upon it ; D, two rows of buttonhole worked slanting one into the other ; E, crossed buttonhole ; F, tailor's buttonhole ; G, ladder (called also Cretan) stitch ; H, herring-bone buttonhole ; J, buttonhole diaper.
24. BUTTONHOLE, CHAIN, AND KNOT STITCHES - chiefly in white floss silk on dark purple satin, with touches of crimson at the points from which the stitches radiate. The rings on the outer ground are not worked, but done in the dyeing of the satin. Part of the same piece of work as 16. Modern Indian from Surat. (V. & A. M.)
25 & 26. feather-stitch sampler - A to G, ordinary featherstitch and its variations ; G G, feather chain.
27 & 28. oriental-stitch sampler - A to E, Oriental-stitch and its varieties; F, Oriental-stitch worked into buttonhole; G, not properly a form of Oriental-stitch, though bearing some resemblance to it.
29 & 30. rope and knot-stitch sampler - A, rope-stitch; B, open rope-stitch ; C, what is called German knot-stitch ; D, open German knot-stitch ; E, Old English knot-stitch, so called ; F, bullion-stitch ; G, French knots.
31. a tour-de-force in knots - Worked entirely in the one stitch ; the drawing lines expressed by voiding. In white and coloured silks upon a very dark blue ground. Chinese. (Mrs L. F. D.)
32 & 33. interlacing-STITCH sampler - A, interlaced crewel-stitch ; B, interlaced back-stitch ; C, back-stitch twice interlaced ; D, interlaced chain-stitch ; E, interlaced darning ; F, interlaced herring-bone ; G, herring-bone twice interlaced ; H, an interlaced version of C in Illustration 20 (Herring-Bone Sampler) ; J, interlaced Oriental-stitch ; K, interlaced feather-stitch.
34. surface-stitch sampler - A, D, G, various surface stitches ;
B, surface buttonhole; H and C, surface darning; E, Japanese darning, as it is called ; F, net passing ; J, surface buttonhole over bars ; K, surface buttonhole over slanting stitches.
35. LACE OR SURFACE-STITCH AND SATIN-STITCH, much of it worn away. In straw-coloured floss upon pale blue silk. Part of a dress. French. Late 18th century. (Mrs L. F. D.)
36 & 37. satin-stitch sampler - Worked in floss, the stitch in various directions, to give different effects. Incidentally it shows various ways of breaking up a surface in satin-stitch. Compare with Illustration 38 (Satin-Stitch In Coarse Twisted Silk), which shows the effect of the stitch in twisted silk.
38. satin-stitch in coarse twisted silk.
39. satin-stitch in twisted silk - Outlines voided. Worked in white and occasional red and yellow upon black satin. Modern. Indian. (V. & A. M.)
40. satin-stitch and, on the birds' bodies, plumage-stitch The ends of the stalks worked in French knots ; the veins of the leaves in fine white cords laid on to the satin-stitch. The outlines voided, and the voiding occasionally worked across with stitches wide enough apart to show the ground between. In white and bright-coloured silk floss upon a black satin ground. Chinese. (Mrs L. F. D.)