There is another point of outstanding importance. I have said that the head of the putter should form a right angle to the line of run to the hole. I shall be more emphatic still. Let us consider the line of run to the hole as the upright portion of a very long letter T laid on the ground. The top of the letter T will then be formed by the front edge of the sole of the putter, so that it will be seen that not only does the putter face form a dead right angle to the line of run to the hole, but that the line of run to the hole hits the putter face dead in the centre. For all ordinary putting, that is the one and only way to proceed. One reads in various books about putting off the heel, putting off the toe, and putting with drag. This is, comparatively speaking, all imbecility and theory. There is no way to put in golf comparable with the put that goes off the centre of the club's face. If we may treat the face of the putter as a rectangle, bisect it by a vertical line and also by a horizontal line, the point where these two lines cross each other will be the portion of the putter which should come into contact with the ball.

These are extremely elementary matters; but it is impossible, although they are so elementary, to exaggerate their importance, and it is amazing, considering their simplicity, how much neglected they are in all books of instruction, and, generally speaking, by all instructors. For instance, James Braid, at page 149, tells us:

Hitting the ball truly is simply a question of bringing the putter on to it when making the stroke to exactly the same point as when the final address was made, and of swinging the putter through from the back swing to the finish in a straight line.

This statement would be correct if the address had been made correctly in the first instance, but unless one has it in one's mind to make one's putter the top of the T - that is, the completion of the right angle to the line of run to the hole - the chances are that one's original address was wrong. Then it will be clearly seen that it is not "simply a question of bringing the putter on to it when making the stroke to exactly the same point as when the final address was made." The important point is to see that the final address is correctly made; but in no book which I have read - and I have read practically every book on golf which deserves to be read - do I find any simple and explicit directions for the mechanical portion of the put, which, as James Braid truly observes, is extremely simple.

Now for the idea of the stroke: The player will, of course, have learned his grip from some of the books on golf, or from a professional. He will in all probability have adopted the overlapping grip, for that grip tends, more than any other, to bring both wrists into action together; and there can, I think, be little doubt that for most people it is the better grip. Having obtained a good general idea of the simple mechanical operations involved in the contact of the club with the ball, the player now has to consider how that club moves where it is, if we may so express it, bound to him. Well, if he has even a rudimentary idea of mechanics, he will know that if he wishes to swing that club so that it may hit the ball in an exactly similar manner every time, he should suspend it on a single bearing, so that it would swing in a similar manner to the pendulum of a clock.

The perfect put, from a mechanical point of view, is made by a motion which is equivalent to the swinging of a pendulum. If, instead of allowing the weight of the pendulum to be, as it generally is, in the plane of the swing, it were turned round so that the flat side faced towards the sides of the clock, we should have a rough mechanical presentment of the golf club in the act of making a put. This is, of course, a counsel of absolute perfection. It is an impossibility to the golfer, both on account of his physical and physiological imperfections, and on account of the fact that the golfer practically never puts with an upright putter.

We are frequently told that a put is the only true wrist stroke in golf. As a matter of fact there is no true wrist stroke in golf, for it is evident that if one played the put as a true wrist stroke with a club whose lie is at a considerable angle to the horizontal, the centre of the circle formed by the club head will be away from the ball to such an extent that the instant the club head leaves the ball it must leave the line of run to the hole, and equally as certainly will it leave the line of run to the hole immediately after it has struck the ball.

Now this is not what we require, so it has come to pass 'that the put at golf is to a very great extent a compromise. It must, above everything, be a deliberate stroke with a clean follow - through. There must be no suggestion of reducing the put to a muscular effort. The idea of the pendulum must be preserved as much as possible, and the strength of the put regulated to a very great extent by the length of one's backward swing.

It is of the first importance that the body should be kept still during the process of putting, and it stands to reason that the wrists must also be kept as much as possible in the same place. If one finds that one has a marked tendency to sway or to move the body about, standing with one's feet close together will frequently correct this.

I have referred to the fact that the put is not a wrist stroke. As a matter of fact, the wrists must in all good putting "go out after the ball." By this is meant that at the moment of impact the wrists must in the follow-through travel in a line parallel with the line of run to the hole, and they must finish so that the club head is able, at the finish, to stay over the line of run to the hole. To do this, it is obvious that the wrists, after impact, must move forward. No true follow-through in the put can be obtained from stationary wrists. This may sound a little complicated. As a matter of fact it is nothing of the sort, and the action is very simple, very natural, and when properly played the ball goes very sweetly off the club and with splendid direction.