(4) Deep Green

For 250 lb. dry paper. No. 3 stuff; 5 pails size, 20 lb. alum, 22 lb. silk green paste, extra fine. A beautiful clear green.

(5) Pale Green

For 250 lb. dry paper. No. 4 stuff, full bleached; 60 lb. wood pulp, 3 oz. bichromate, 6 oz. sugar of lead, 4 pails size, 15 lb. alum, 3 lb. Paris blue.

(6) Pale Green

For 250 lb. dry paper. No. 4 stuff, full bleached; 4 pails size, 20 lb. alum, 3/4 lb. bichromate 10 minutes later, 2 1/4 lb. sugar of lead 10 minutes later, 15 oz. Paris blue dissolved in hot water, adding 1/2 gill sulphuric acid.

Grey

(1) For 250 lb. dry paper. No. 4 stuff, half bleached; 4 pails size, 20 lb. alum, 3 lb. green copperas, 3 lb. crystal soda, 4 lb. dark yellow ochre, 4 lb. light yellow ochre, 5 oz. Venetian red.

(2) Fine Grey Writings

For 250 lb. dry paper. No. 4 stuff, full bleached; 3 lb. ultramarine, B.B.R.V.; 2 lb. Venetian red, 4 lb. yellow ochre, 6 pails size, 20 lb. alum.

(3) Fine Grey Writings

For 250 lb. dry paper. No. 4 stuff, full bleached; 6 pails size, 25 lb. alum, 15 oz. bichromate, 2 1/2 lb. sugar of lead, 6 oz. Paris blue 1/2hr. later, 7 oz. logwood extract.

(4) Fine Grey Writings

For 250 lb. dry paper. No. 4 stuff, full bleached; 6 pails size, 25 lb. alum, 12 oz. bichromate, 2 lb. sugar of lead, to be dissolved together in one pail, and put into the engine while hot; 3 oz. Paris blue 1/2 hour later, 4 oz. logwood extract.

(5) Superfine Grey Writings

For 250 lb. dry paper. No. 3 stuff, full bleached; 4 lb. ultramarine, B.B.A.C.; 1 lb. bichromate, 1 1/2 lb. sugar of lead, 3 lb. Venetian red, 6 pails size, 25 lb. alum.

Lilac

(1) For 250 lb. dry paper. No. 4 stuff, full bleached; 5 pails size, 20 lb. alum, 3 oz. aniline blue, 1/2 oz. diamond fuchsine.

(2) Deep Lilac. For 250 lb. dry paper. No. 3 stuff; 5 pails size, 20 lb. alum; 30 oz. methyl violet, marked B.B.B.; 1/2 oz. eosine, marked A.

(3) Deep Lilac - For 250 lb. dry paper. Nos. 3 and 4 stuffs, half and half; 4 pails size, 15 lb. alum, 2 oz. aniline blue, 2 oz. diamond fuchsine, 3 1/2 oz. Paris blue.

(4) Deep Lilac

For 250 lb. dry paper. No. 4 stuff, full bleached; 5 pails size, 20 lb. alum, 4 oz. aniline blue, 1 oz. diamond fuchsine.

(5) Deep Lilac - For 250 lb. dry paper. No. 4 stuff; 20 lb. alum, 4 pails size, 8 oz. diamond fuchsine, 3 oz. aniline blue, 50 lb. straw pulp.

(6) Lilac Tissue

Deep Shade. For 200 lb. dry paper. Nos. 17 and 18 rope stuffs, 1/2; No. 5 stuff, 1/2; 8 oz. aniline blue, 3 oz. diamond fuchsine, 2 oz. methyl violet, R.R.R.R. brand.

Nankeen Tissue

For 200 lb. dry paper. Nos. 17 and 18 rope stuffs, 1/2; canvas, 1/2; 3 lb. potash, 3 lb. green copperas, 2 lb. crystal soda.

Olive, Deep

For 250 lb. dry paper. No. 4 stuff; 60 lb. wood pulp, 4 pails size, 15 lb. alum, 2 lb. green copperas, 2 lb. crystal soda, 2 1/4 lb. Venetian red.

Orange

(1) For 250 lb. dry paper. No. 4 stuff, only half-bleached or gas-bleached, and not potched; 3 pails size, 15 lb. alum, 6 lb. bichromate, 8 lb. sugar of lead, 60 lb. superfine orange.

(3) For 250 lb. dry paper. No. 4 stuff; 50 lb. mechanical wood pulp, 12 lb. orange mineral, 15 lb. alum, 4 pails size.

(3) For 250 lb. dry paper. No. 4 stuff; 60 lb. mechanical wood pulp, 15 lb. alum, 4 pails size, 30 lb. orange mineral.

(4) For 250 lb. dry paper. No. 4 stuff; 60 lb. mechanical wood pulp, 15 lb. alum, 3 pails size, 15 lb. orange mineral, 1 lb. Venetian red.

(5) For 200 lb. dry paper. No. 4 stuff; 50 lb. yellow mechanical wood pulp, 20 lb. orange mineral, 1 1/2 lb. Venetian red, 4 pails size, 20 lb. alum. The orange and the Venetian red must be carefully strained through a fine wire or flannel bag.

(6) Orange Buff

For 400 lb. dry paper. 400 lb. Oran esparto, 6 lb. bichromate of potash, 8 lb. sugar of lead, 14 lb. Venetian red, 20 lb. alum, 6 pails size.

(7) Chrome Orange

For 300 lb. dry paper. No. 1 stuff, full bleached; 25 lb. alum, 6 pails size, 56 lb. chrome orange paste, No. 1. A fine clear orange for a good quality of paper.

(8) Deep Orange

For 250 lb. dry paper. No. 4 stuff; 40 lb. wood pulp, 4 pails size, 20 lb. alum, 6 lb. bichromate, 18 lb. sugar of lead, 25 lb. Venetian red, 50 lb. straw pulp.

(9) Pale Orange

For 250 lb. dry paper. No. 4 stuff; 40 lb. wood pulp, 4 pails size, 15 lb. alum, 15 lb. superfine orange.

(10) Orange Yellow

For 250 lb. dry paper. No. 4 stuff; 40 lb. mechanical wood pulp, 3 pails size, 15 lb. alum, 6 lb. bichromate, 8 lb. sugar of lead, 25 lb. Venetian red, 50 lb. straw pulp.

(11) Orange Yellow

For 400 lb. dry paper. Oran esparto; 7 1/2 lb. bichromate, 15 lb. brown sugar of lead, dissolved in 5 pails hot water - strain through a flannel bag; 1/4 lb. Venetian red, 25 lb. alum, 7 pails size.

Pink

(1) For 250 lb. dry paper. No. 4 stuff; 5 pails size, 20 lb. alum, 3 oz. diamond fiichsine, dissolved in 300 oz. boiling water and strained through a fine flannel or silk bag.

(2) Eosine, A

For 250 lb. dry paper. No. 3 stuff, full bleached; 13 oz. eosine, marked A; 1/2 oz. methyl violet. A deep pink of a beautiful shade.

(3) Deep Eosine Pink

For 250 lb. dry paper. No. 3 stuff; 5 pails size, 20 lb. alum, 12 oz. eosine, marked B.N., dissolved in boiling water, and strained through a flannel bag into the engine.

(4) Pale Pink Eosine

For 250 lb. dry paper. No. 3 stuff; 5 pails size, 20 lb. alum, 3 oz. eosine, marked B.N., 1/2 oz. methyl violet; strain into the engine.

Red

(1) Deep Venetian

For 200 lb. dry paper. No. 4 stuff, unbleached; 5 pails size, 20 lb. alum, 2 1/2 lb. yellow ochre, 50 lb. Venetian red, 3 pints Brazil-wood dye.

(2) Venetian Red

For 250 lb. dry paper. No. 3 stuff, unbleached; 50 lb. chemical wood pulp, 4 pails size, 15 lb. alum, 60 lb. Venetian red, 3 pints Brazilwood dye.

(3) Venetian Red

For 250 lb. dry paper. No. 4 stuff, half-bleached; 2 1/2 lb. yellow ochre, 45 lb. Venetian red, 20 lb. alum, 5 pails size.

(4) Venetian Red

For 250 lb. dry paper. No. 4 stuff; 40 lb. yellow wood pulp, 4 pails size, 15 lb. alum, 48 lb. yellow ochre, 501b. Venetian red. A beautiful deep Venetian red, principally used for the covers of serials.

(5) Saturnine Red

For 250 lb. dry paper. No. 3 stuff; 4 pails size, 20 lb. alum, 50 lb. saturnine red, 5 lb. superfine orange.

Rose

(1) For 400 lb. dry paper. 400 lb. Oran esparto, 14 lb. Venetian red, 1 lb. chrome yellow, 20 lb. alum.

(2) Fine Rose Tint

For 400 lb. dry paper. Medium Spanish esparto, J; good Oran esparto, 1/2; 2 oz. eosine, marked A, dissolved in one pail of boiling water and strained through a flannel bag.

Skin Colour

For 250 lb. dry paper. No. 4 stuff, 60 lb. wood pulp, 4 pails size, 20 lb. alum, 9 1/4 lb. green copperas, 10 1/2 lb. crystal soda, 8 oz. bichromate, 1 1/2 lb. sugar of lead.

Straw Tint

-For 400 lb. dry paper. 400 lb. Oran esparto, 1 1/2 lb. bichromate of potash, 3 lb. white sugar of lead dissolved in one pail of hot water, 1/4 lb. ultramarine, 1 1/2 pint iron liquor.

Violet

Deep Shade

For 250 lb. dry paper. No. 3 stuff, full bleached; 25 lb. alum, 5 pails size, 6 lb. methyl violet, marked R.R.R.R., 3 oz. methyl blue.

White Tissue

For 200 lb. dry paper. Nos. 17 and 18 rope stuffs, 1/2; No. 5 stuff, 1/2; 5 oz. ultramarine, B.B.A.C.; 2 gills Brazil-wood dye.

Yellow

(1) For 250 lb. dry paper. No. 4 stuff; 4 lb. bichromate 20 minutes later, 8 lb. sugar of lead 1/2 hour later, 20 lb. alum, 6 pails size, 40 lb. straw pulp.

(2) For 250 lb. dry paper. No. 4 stuff; 15 lb. alum, 4 pails size, \\ lb. bichromate, 5 lb. sugar of lead.

(3) For 250 lb. dry paper. No. 4 stuff; 40 lb. mechanical wood pulp, 15 lb. alum, 4 pails size, 5 lb. bichromate, 8 lb. sugar of lead.

(4) For 250 lb. dry paper. No. 4 stuff; 20 lb. mechanical wood pulp, 2 1/4 lb. bichromate 20 minutes later, 7 1/2 lb. sugar of lead 1/2 hour later, 20 lb. alum, 4 pails size.

(5) For 250 lb. dry paper. No. 4 stuff; 40 lb. mechanical wood pulp, 15 lb. alum, 4 pails size, 5 lb. bichromate, 11 lb. sugar of lead.

(6) Dark Yellow

For 400 lb. dry paper. 14 lb. bichromate of potash, 1 3/4 lb. brown sugar of lead dissolved in one pail of hot water - strain into the engine through a flannel bag; 2 1/2 lb. green copperas 1 hour later, 25 lb. alum.

(7) Yellow Ochre, For Wrapping

For 250 lb. dry paper. No. 4 stuff, unbleached; 60 lb. wood pulp, No. 2 quality; 4 pails size, 15 lb. alum, 20 lb. yellow ochre, 5 oz. Venetian red, 4 oz. magenta lake.

(8) Yellow Printings

For 250 lb. dry paper. No. 4 stuff, half bleached; 50 lb. mechanical wood pulp, 1 1/4 lb. bichromate 20 minutes later, 3/4 Jb. sugar of lead 1/2 hour later, 15 lb. alum, 3 pails size, 50 lb. straw pulp.

(9) For 450 lb. dry paper. Tunis esparto, 1/2; No. 2 Spanish esparto, 1/2; 20 lb. French ochre, 4 lb. dark English ochre, 8 lb. sugar of lead, 4 1/2 lb. bichromate, 2 lb. red chrome.

(10) For 400 lb. dry paper. Tunis esparto, 1/2; Oran esparto, 1/2; 3 1/2 lb. bichromate, 7 lb. sugar of lead.

(11) Fine Yellow Printings

For 200 lb. dry paper. Spanish esparto, 1/2; Oran esparto, 1/2; 2 lb. bichromate, 4 lb. sugar of lead, 3 pails size, 10 lb. alum.

(12) Yellow Wrapping

For 250 lb. dry paper. No. 4 stuff, unbleached; 50 lb. wood pulp, No. 2 quality; 4 pails size, 20 lb. alum, 16 1/2 lb. brown sugar of lead, 8 lb. bichromate, 20 lb. Venetian red.

(13) Yellow Wrapping, For Post Paper

For 250 lb. dry paper. No. 4 stuff; 60 lb. mechanical wood pulp, 2 lb. bichromate of potash 15 minutes later; 4 lb. sugar of lead, 20 lb. alum, 4 pails size, 50 lb. straw pulp by La-hosse's system.

Parchment

(1) Prepare the parchment with "pounce" as for writing. Use ordinary water-colours mixed with alum-water. The alum makes the parchment take the paints readily. Go over the part to be painted quickly with the colour. It is best to have the parchment on a slanting surface, as then the water does not soak in so much. Parchment does not cockle unless wet through.

(2) Green. Boil 8 parts cream of tartar and 30 of crystallized verdigris in 500 water; when this solution is cold, pour into it 4 parts nitric acid. Moisten the parchment with a brush, and then apply the above liquid evenly over its surface. The necessary surface finish is given with white of eggs, or mucilage of gum-arabic.