* It is only of late that I have learned to value the significance of fancies and unconscious thoughts about life in the womb. They contain the explanation of the curious fear felt by so many people of being buried alive, as well as the profoundest unconscious reason for the belief in a life after death which represents nothing hut a projection into the future of this mysterious life before birth. The art of birth, moreover, is the first experience with fear, and it thus the source and model of the emotion of fear.

Another parturition dream is related by Abraham79 of a young woman looking forward to her first confinement (p. 22): From a place in the floor of the house a subterranean canal leads directly into the water (parturition path, amniotic liquor). She lifts up a trap in the floor, and there immediately appears a creature dressed in a brownish fur, which almost resembles a seal. This creature changes into the younger brother of the dreamer, to whom she has always stood in maternal relationship.

Dreams of "saving" are connected with parturition dreams. To save, especially to save from the water, is equivalent to giving birth when dreamed by a woman; this sense is, however, modified when the dreamer is a man.*

Robbers, burglars at night, and ghosts, of which we are afraid before going to bed, and which occasionally even disturb our sleep, originate in one and the same childish reminiscence. They are the nightly visitors who have awakened the child to set it on the chamber so that it may not wet the bed, or have lifted the Cover in order to see clearly how the child is holding its hands while sleeping. I have been able to induce an exact recollection of the nocturnal visitor in the analysis of some of these anxiety dreams. The robbers were always the father, the ghosts more probably corresponded to feminine persons with white night-gowns.

II. When one has become familiar with the abundant use of symbolism for the representation of sexual material in dreams, one naturally raises the question whether there are not many of these symbols which appear once and for all with a firmly established significance like the signs in stenography; and one is tempted to compile a new dream-book according to the cipher method. In this connection it may be remarked that this symbolism does not belong peculiarly to the dream, but rather to unconscious thinking, particularly that of the masses, and it is to be found in greater perfection in the folklore, in the myths, legends, and manners of speech, in the proverbial sayings, and in the current witticisms of a nation than in its dreams.*

* For such a dream see Pfister: "Ein Fall von Psychanalytischer Seelen-sorge und Seelenheilung," Evangelische. f'reiheit, 1909, Concerning the symbol of "saving" see my lecture, "Die Zukiinftigen Chancen der psychoanaly-tischen Therapie," Zentralblatt fur Psychoanalyse, No I., 1010. Also "Beit-rage zur Psychologic des Liebeslebens, I. Ueber einen besonderen Typus der objektwahl beim Manne."Jahrbuch, Bleuler-Freiid, vol. ii., 1910.

The dream takes advantage of this symbolism in order to give a disguised representation to its latent thoughts. Among the symbols which are used in this manner there are of course many which regularly, or almost regularly, mean the same thing. Only it is necessary to keep in mind the curious plasticity of psychic material. Now and then a symbol in the dream content may have to be interpreted not symbolically, but according to its real meaning; at another time the dreamer, owing to a peculiar set of recollections, may create for himself the right to use anything whatever as a sexual symbol, though it is not ordinarily used in that way. Nor are the most frequently used sexual symbols unambiguous every time.

After these limitations and reservations I may call attention to the following: Emperor and Empress (King and Queen) in most cases really represent the parents of the dreamer; † the dreamer himself or herself is the prince or princess. All elongated objects, sticks, tree-trunks, and umbrellas (on account of the stretching-up which might be compared to an erection! all elongated and sharp weapons, knives, daggers, and pikes, are intended to represent the male member. A frequent, not very intelligible, symbol for the same is a nail-file (on account of the rubbing and scraping?). Little cases, boxes, caskets, closets, and stoves correspond to the female part. The symbolism of lock and key has been very gracefully employed by Uhland in his song about the "Grafen Eberstein," to make a common smutty joke. The dream of walking through a row of rooms is a brothel or harem dream. Staircases, ladders, and flights of stairs, or climbing on these, either upwards or downwards, are symbolic representations of the sexual act.‡ Smooth

* Cf, the works of Bleuler and of his pupils Maeder, Abraham, and others of the Zurich school upon symbolism, and of those authors who art not phyaicians (Kleinpaul and others), to which they refer.

† In this country the President, the Governor, and the Mayor often represent the father in the dream. (Translator.)

‡ I may here repeat what I have said in another place ("Die Zukunf-tigen Chancen der psychoanalytic hen Therapie," Zentralblatt fur Psycho-analyse, I., No. 1 and 2, 1910): "Some time ago I learned that a psychologist who is unfamiliar with our work remarked to one of my friends that we are surely over-estimating the secret sexual significance of dreams. He stated that his moat frequent dream was of climbing a stairway, and that, there was surely nothing sexual behind this. Our attention having been called walls over which one is climbing, facades of houses upon which one is letting oneself down, frequently under great anxiety, correspond to the erect human body, and probably repeat in the dream reminiscences of the upward climbing of little children on their parents or foster parents. "Smooth" walls are men. Often in a dream of anxiety one is holding on firmly to some projection from a house. Tables, set tables, and boards are women, perhaps on account of the opposition which does away with the bodily contours. Since "bed and board " (mensa et thorus) constitute marriage, the former are often put for the latter in the dream, and as far as practicable the sexual presentation complex is transposed to the eating complex. Of articles of dress the woman's hat may frequently be definitely interpreted as the male genital. In dreams of men one often finds the cravat as a symbol for the penis; this indeed is not only because cravats hang down long, and are characteristic of the man, but also because one can select them at pleasure, a freedom which is prohibited by nature in the original of the symbol. Persons who make use of this symbol in the dream are very extravagant with cravats, and possess regular collections of them.* All complicated machines and apparatus in dream are very probably genitals, in the description of which dream symbolism shows itself to be as tireless as the activity of wit. Likewise many landscapes in dreams, especially with bridges or with wooded mountains, can be readily recognised as descriptions of the genitals. Finally where one finds incomprehensible neologisms one may think of combinations made up of components having a sexual to this objection, we directed our investigations to the occurrence of stairways, stairs, and ladders in the dream, and we soon ascertained that stairs (or anything analogous to them) represent a definite symbol of coitus. The basis for this comparison is not difficult to find; under rhythmic intervals and with increasing difficulty in breathing one reaches to a height, and may come down again in a few rapid jumps. Thus the rhythm of coitus is recognisable in climbing stairs. Let us not forget to consider the usage of language. It shows us that the "climbing" or "mounting" is, without further addition, used as a substitutive designatian of the sexual act. In French the step of the stairway is called "la marche"; "un vieux marcheur" corresponds exactly to our "an old climber."