Obelisk, - in architecture, is a truncated, quadrangular, and slender pyramid, raised for the purpose of ornament, and frequently charged either with inscriptions or hieroglyphics. Obelisks appear to be of very great antiquity, and to have been first raised to transmit to posterity precepts of philosophy, which were cut in hieroglyphical characters: afterwards they were used to immortalize the great actions of heroes, and the memory of persons beloved and venerated for having performed eminent services to their country.

The first obelisk mentioned in history was that of Rameses, king of Egypt, in the time of the Trojan war, which was forty cubits high; Phuis, another king of Egypt, raised one of fifty-five cubits; and Ptolemy Philadelphus, another of eighty eight cubits, in memory of Arsinoe. Augustus erected one at Rome, in the Campus Martius, which served to mark the hours on an horizontal dial, drawn on the pavement. They were called by the Egyptian priests, the Fingers of the Sun, because they were made in Egypt to serve also as stiles or gnomons, to mark the hours on the ground. The Arabs still call them Pharaoh's Needles; whence the Italians call them Agug-lia, and the French Aiguilles.

The famous obelisks called the Devil's Arrows, now reduced to three, the fourth having been taken down in the seventeenth century, stand about half a mile from the town of Boroughbridge, to the south-west, in three fields, separated by a, lane, nearly two hundred feet asunder, on elevated ground, sloping every way. Mr. Drake urges many arguments for their Roman antiquity, and plainly proves them to be natural, and brought from Plumpton quarries, about five miles off: or from Tekly, sixteen miles off. The cross in the town, twelve feet high, is of the same kind of stone. The easternmost, or highest, is twenty-two feet and a half high, by four broad, and four and a half in girth; the second, twenty-one and a half by fifty-five and a quarter; the third, sixteen and a half by eighty-four. Stukeley's measures differ. The flutings are cut in the stone, but not through: the tallest stands alone, and leans to the south. Plot and Stukeley affirm them to be British monuments, originally hewn square. Dr. Gale supposed that they were Mercuries, which had lost their heads and inscriptions; but in a manuscript note in his Antoninus, he acknowledges that he was misinformed, and that there was no cavity to receive a bust.

On the north side of Penrith, in the church-yard, are two square obelisks, of a single stone each, eleven or twelve feet high, about twelve inches diameter, and twelve by eight at the sides; the highest about eighteen inches diameter, with something like a transverse piece to each, and mortised into a round base. They are fourteen feet asunder, and between them is a grave, which is inclosed between four semicircular stones, of the unequal lengths of five, six, four and a half, and two feet high, having on the outsides rude carving, and the tops notched. This is called the Giant's Grave, and ascribed to Sir Evan Caesarius, who is said to have been as tall as one of the columns, and capable of stretching his arms from one to the other; to have destroyed robbers and wild boars in Englewood forest; and to have had an hermitage, called Sir Hugh's Parlour.

A little west of these is a stone called the Giant's Thumb, six feet high, fourteen inches at the base, contracted to ten, which is only a rude cross.

We shall conclude this chapter with a description of a Remarkable Obelisk, Near Forres, In Scotland.

Remarkable Obelisk, Near Forres, In Scotland

About a mile from Forres, on the left-hand side of the road, is a remarkable obelisk, said to be the most stately monument of the Gothic kind in Europe; and supposed to have been erected in memory of the treaty between Malcolm II. and Canute the Great, in 1008. It has been the subject of many able pens; and is thus described by Mr. Cordiner, in a letter to Mr. Pennant: "In the first division, underneath the Gothic ornaments, at the top are nine horses, with their riders, marching forth in order: in the next is a line of warriors on foot, brandishing their weapons, and appear to be shouting for the battle. The import of the attitudes in the third division is very dubious, their expression indefinite. The figures, which form a square in the middle of the column, are pretty complex, but distinct; four sergeants with their halberts, guarding a company, under which are placed several human heads, which have belonged to the dead bodies piled up at the left of the division: one appears in the character of executioner, severing the head from another body; behind him are three trumpeters sounding their trumpets, and before him two pair of combatants fighting with sword and target. A troop of horse next appear, put to flight by infantry, whose first lines have bows and arrows, and the three following swords and targets. In the lowermost division now visible, the horses seem to be seized by the victorious party, their riders beheaded, and the head of their chief hung in chains, or placed in a frame; the others being thrown together beside the dead bodies, under an arched cover. The greatest part of the other side of the obelisk, occupied by a sumptuous cross, is covered over with a uniform figure, elaborately raised, and interwoven with great mathematical exactness. Under the cross are two august personages, with some attendants, much obliterated, but evidently in an attitude of reconciliation; and if the monument was erected in memory of the peace concluded between Malcolm and Canute, upon the final retreat of the Danes, these large figures may represent the reconciled monarchs. On the edge, below the fretwork, are some rows of figures joined hand in hand, which may also imply the new degree of confidence and security that took place after the feuds were composed, which are characterized on the front of the pillar. But to whatever particular transaction it may allude, it can hardly be imagined, that in so early an age of the arts in Scotland, as it must have been raised, so elaborate a performance would have been undertaken, but in consequence of an event of the most general importance; it is therefore surprising, that no more distinct tradition of it arrived at the aera when fetters were known. The height of this monument, called King Sueno's Stone, above the ground, is twenty-three feet, besides twelve or fifteen feet under ground. Its breadth is three feet ten inches, by one foot three inches in thick-ness.