This section is from the "Naturalistic Photography For Students Of The Art" book, by P. H. Emerson. Also see Amazon: Naturalistic Photography For Students Of The Art.
The tripod head should be preferably of tough wood covered with felt. A metal tripod head is apt to endanger the woodwork of the camera, even when covered with leather. The legs should be simple and firm, the best we know of being made of two pieces of ash or oak hinged at the bottom, the points shod with iron, and the legs being stiffened, when in position by a bar of iron which is secured by a hinge. Every one should have two pairs of legs at least; one pair, so that when the camera is set up the lens may be on a level with the eye of a man of average height, and one pair shorter, so that the lens is only three feet from the ground. In addition to these we always have handy three tough poles eight feet long and about the diameter of a broomstick; these are shod with iron heels, and have notches cut at the unshod ends. These are most useful to lash to the long legs when using them in water-ways. It is as well to have six double-backs, for by filling them all at one operation the student empties a box of plates, and so avoids a chance of mixing exposed and unexposed plates. The most convenient method of carrying the plates in all cases up to and including the ten by eight size, is to have a bag made which will take the camera, three double-backs and the focussing cloth, and a separate bag for the other three double-backs which can be left or taken out at pleasure.
Doublebacks.
Bags.
A very useful piece of apparatus is a clamp which can be screwed on anywhere, but especially to a boat's gunwale, the taffrail of a steamer, a fence, and numerous other places whence good pictures can often be secured. Such a clamp can be purchased at most of the dealers' shops.
 
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