The double concave and the plano-concave have the power of dispersing the rays of light and of diminishing the image of an object seen through them in the same proportion.

The meniscus lens has but a very slightly dispersive power, and the concavo-convex merely separates the parallel rays to the thickness of the lens and sends them on parallel as they entered.

Camera Lenses The Optics Of Photography Part 2 PhotographyInStudioAndField 23

Fig. 3.

All these lenses, having something of the prism in their shape, have the power to a greater or lesser extent of decomposing the light that passes through them. This is called chromatic aberration, because the colored rays do not all converge to the same focus; thus the image seen through them is surrounded by a fringe or border of color.

Single lenses lack the power of producing a straight image of a straight object; the image will have the curve of the lens through which the light passes to form it; a double convex lens will give a greater curve than a plano-convex. This is called spherical aberration.

The main object to be considered in the manufacture of a lens for photographic purposes is to produce one with the least spherical and chromatic aberration.

Spherical aberration is overcome to a great extent by the use (in connection with the double convex) of a meniscus lens.

Chromatic aberration is overcome by the use of two glasses of unequal density in forming one lens; thus the front lens of the portrait combination is composed of a double convex of crown glass and plano-concave or meniscus of flint glass, which two glasses are sealed together with Canada balsam.

Camera Lenses The Optics Of Photography Part 2 PhotographyInStudioAndField 24

Fig. 4.

The forms of lenses which are corrected for chromatic and spherical aberration will be seen in Fig. 5.

Camera Lenses The Optics Of Photography Part 2 PhotographyInStudioAndField 25

Fig. 5.

These lenses are termed achromatic, and, although each is formed of two kinds of glass, they are sealed together so as to be practically one lens.

Every manufacturer of portrait or view lenses, uses the six forms shown in the diagram (Fig. 2), in some manner peculiar to himself, but of the six, four will be found in every combination in general use, varied in radii, construction and dimension, according to the use for which they are intended.

Formerly the photographer's choice of lenses was restricted to two combinations, the double combination for portraits and the single for views. There have of late years been invented a great variety of lenses, among which and in the order of invention, probably are Petzval's Orthoscopic, Harrison's Globe, Ross's Doublet, Darlot's Wide Angle and Rectilinear Hemispherical, Steinheil's Aplanatic, Voightlander's Euryscope, and greatest of all, Dallmeyer's Patent Portrait, Wide Angle and Rapid Rectilinear Lenses.

The combinations of lenses are three, the single, double and triple; the latter is now no longer in use, or if so, its use is greatly restricted. The single combinations have greater focal length than the double, and consequently at the same diameters larger pictures are obtainable, and they are principally used for landscape or view work.

The double combinations, so called from having a second pair of lenses behind the first, which have the effect of shortening the focus about one-half, whereby the action of the light is accelerated, and both the spherical and chromatic aberrations more perfectly corrected, which result in an image more delicate in definition and more rotund in form, thus peculiarly qualifying them as portrait lenses.

In the selection of lenses for studio or view work, the intending purchaser, if desirous and pecuniarily able to avail himself of the best, will naturally inquire what make of lenses is the most widely known and used, and it will not take much time to procure a satisfactory answer to the question.

It has been conceded now for some years, both in Europe and in America, that the lenses manufactured by J. H. Dallmeyer, of London, England, are superior to all others, not only for their fitness for the work for which they are specially constructed, but for their adaptability to work beyond anything claimed for them by the maker, and also for a certain undefinable and aesthetic quality inherent in the negative made by these lenses.

The fact that there is not in the wide world a photographic establishment of any note that does not possess one or more of these lenses is strong evidence of their superiority. In the quality of the glass used, in the perfection of finish and adjustment, in softness, crisp-ness and depth, in rapidity, illumination and every quality that recommends a lens, the Dallmeyer lenses are unrivalled.

The portrait combination now in general use, was first constructed from calculations made by Professor Petzval, of Vienna. Its optical components are, a front crown lens of unequal convex curves to which is cemented a double flint lens of unequal concave curves. The back combination is a crown lens of un-equal convex curves and a concavo-convex flint lens at a little space from it. (See Fig.6.) For more than a quarter of a century this form of lens had been used without material change in its construction, until Mr. Thos. Ross, by a modification of the curves, succeeded in flattening the field and increased its rapidity by shortening the focus, but left it with the peculiar shallowness of focal depth, especially in the larger sizes, which has been the torment of photographers to this time.

Mr. Dallmeyer was the first to improve upon the original portrait combination, and in his new Patent Portrait Lens he has most ingeniously obtained a diffusion of focus at the will of the operator. By a quarter or half turn of the cell of the back combination the focus is diffused, giving an agreeable softness in place of the shallow plane of excessive and wiry definition so familiar to the photographer.