A circle-pen is shown in Figure 24, in which A represents the point-leg and B the pen-leg. The point-leg must be the longest because it requires to enter the drawing paper before the pen meets the surface. The point should be sharp and round, for any edges or angles on it will cause it to widen the hole in the paper when it is rotated. To shape the points to prevent the enlargement of the centre in the paper is one of the most important considerations in the use of this instrument, especially when several circles require to be drawn from the same centre. To accomplish this end the inside of the point-leg should be, as near as possible, parallel to the length of the instrument (which is denoted in Figure 24 by the dotted line) when the legs are closed, as in the figure. If the point is at an angle, as shown in Figure 25, it is obvious that rotating it will enlarge the top of the centre in the drawing paper. The point should be sharp and smooth on its circumferential surface, and so much longer than the pen-point that it will have sufficient hold in the paper when the instrument stands vertical and the pen-point meets the surface of it, which amount is about 1/64th of an inch.

We may now consider the shape of the pen-point. Its inside surfaces should be flat across and to the curve shown in Figure 24, not as shown exaggerated in Figure 25, because in the latter the body of the ink will be too near the pen-point, and but little can be placed in it without causing it sometimes to flow over the edges and down the outside of the pen.

A form of pen-point recently introduced is shaped as in Figure 26, the object being to have a thin stream of ink near the marking pen-point and the main body of the ink near at hand, instead of extending up the pen, as would be the case with Figure 24. The advantage thus gained is that the ink lies in a more solid body, and having less area of surface exposed to the air will not dry so quickly in the pen; but this is more than offset by the liability of the ink to flow over the crook at A, and cause the pen to draw a thick ragged line. The pen-point must be slightly inclined toward the needle-point, to the end that they may approach each other close enough for drawing very small circles, but it should also stand as nearly vertical as will permit that end to be attained. As this pen is for drawing small circles only, it does not require much ink, and hence may be somewhat close together, as in Figure 24; this has the advantage that the point is not hidden from observation.

In forming the pen-point the greatest refinement is necessary to enable the drawing of very small true circles, say 1/16th of an inch, or less, in diameter. The requirements are that the pen-point shall meet the surface of the paper when the needle-point has entered it sufficiently to give the necessary support, and that the instrument shall stand vertical, as shown by the dotted line in Figure 24. Also, that the pen shall then touch the paper at a point only, this point being the apex of a fine curve; that this curve be equal on each side of the point of contact with the paper; that both halves forming the pen be of equal thickness and width at the pointed curve; and that the point be as sharp as possible without cutting the paper.

The best method of attaining these ends is as follows: On each side of the pen make, with an oil-stone, a flat place, as C D, Figure 27 (where the pen-point is shown magnified), thus bringing both halves to an edge of exactly equal length, and leaving the point flat at D. These flat places must be parallel to one another and to the joint between the two halves of the pen. As the oil-stone may leave a slightly ragged edge, it is a good plan to take a piece of 00 French emery paper, lay it on a flat surface, and holding the instrument vertically remove the fine edge D until it will not cut. Then with the oil-stone shape the curved edge as in Figure 28, taking care that the curve no more than brings the flat place D up to a true curve and leaves the edge sharp, with only the very point touching the paper, which is represented in the cut by the horizontal line.

Figure 27.

Figure 27.

Figure 28.

Figure 28.

Figure 29.

Figure 29.

Figure 30.

Figure 30.

Figure 31.

Figure 31.

Figure 32.

Figure 32.

The point must have a sharp edge all around the curve, and the two halves must be exactly equal in width, for if one half is wider than the other, as in Figure 29 at a, or as in Figure 30 at b, it will be impossible to draw a very small circle true. So, likewise, the two halves of the pen must be of exactly equal length, and not one half longer than the other, as in Figures 31 or 32, which would tend to cut the paper, and also render the drawing of true small circles impracticable.

When the pen is closed to draw a very small circle the two halves of the pen-leg should have an equal degree of contact with the surface of the paper, and then as the legs are opened out to draw larger circles the contact of the outside half of the pen will have less contact with the paper. The smaller the circle, the more difficult it is to keep the point-leg from slipping out of the centre, and the more difficult it is to draw a clear line and true circle; hence the points should be shaped to the best advantage for drawing these small circles, by oil-stoning the pen, as already described, and then finishing it as follows:

After the oil-stoning, open the two valves of the pen-leg wide enough to admit a piece of 000 French emery paper wrapped once around a very thin blade, and move the pen endwise as described for the straight-line pen. This will smooth the inner surfaces and remove any fine wire-edge that the oil-stone may leave. Close the two halves of the pen again, and lightly emery-paper the outside faces, which will leave the edge sharp enough to cut the paper. The removal of the sharp edge still left, to the exact degree, requires great care. It may best be done by closing the pen until its two halves very nearly, but not quite, touch, then adjust it to mark a circle of about 3/16 inch diameter, and strike a number of circles in different locations upon the surface of a piece of 0000 French emery paper.