The Rooms As The Expression Of Personality

The room should be the outward expression of the spiritual and mental attributes of its occupant, and this expression may often be given in the most simple ways, by a bowl of favorite flowers, by a few pieces of treasured pottery, or even by a bird cage hanging in the sunlit window. Anything which is a part of the daily life may be made to fit into the whole scheme of decoration, and these necessary articles should be used to gain desired effects instead of many useless ornaments. With the exception of a very few pieces of real beauty, all bric-a-brac should be placed upon a high shelf out of sight. In fact, a general rule might be formulated to eliminate almost all beautiful things, which are not distinctly useful in their environment, for an object which is not useful is somewhat out of place and is therefore lacking in that proportion which is one of the elements of beauty.

The Same Material Is Used for the Chair Coverings and the Side Hangings at the Windows to Give Touches of Intense Color.

A Charming Guest Room in a Country Home Which Is Sufficiently Impersonal to Suit Change of Guests. The Furniture Is of the William and Mary Design.

(Courtesy of Mrs.. Henry Dunlop).

Comfort

Each room in a house should express comfort. The colors in the bedrooms should be of just the right hue and value, to permit rest and sleep, the desks and tables for writing should be of a convenient height and placed in a good light, and the various chairs should be of a shape and size adapted to the people who are to use them and should be absolutely comfortable. If the furniture is at first not well arranged for convenient use, the laws of structural arrangement will be found to be elastic enough for a shifting about until each article is in the right place to do its own work in the most efficient manner. In this way a homelike effect is gained which is instantly felt by any one who enters the room. It then seems at first glance to be a place which is lived in, an environment which is conducive to mental and spiritual growth and physical comfort.

Sincerity

Since no two people and no two family groups are ever alike, no two real homes can have the same atmosphere or can give the same impressions to the people who come into them from without. Ideally each home should be the manifestation of the owners' interpretation of the worth-while things of life and should express his attitude toward the world by his sincerity in the use of details in his scheme of interior decoration which shows his true personality.

Chronological Table

Showing the Order of Period Styles from the Beginning of the Renaissance to the 19th Century.

ENGLAND

FRANCE

Sovereign

Style

Remakes

Style

Sovereign

House of Tudor

Henry VIII 1500-1547

Tudor

About the Duration of the Renaissance

Francis Premier

Francis I 1515-1547

Elizabeth 1558-1603

Elizabethan

English Renaissance Periods

Period in Other Countries

Henry II

I547-1559

Stewart Line

James I 1603-1625

Italy 1443-1564

French Renaissance Periods

Henri Deux

Francis II 1559-1560

Charles I 1625-1640

Jacobean

Germany

CharlesIX

1560-1574

Commonwealth 1640-1660

Germany

1525-1620

Stewart Line

Charles II 1660-1685

Flemish and Dutch

I520-I634

Henry III 1574-1589

James II 1685-1688

Spain and Portugal 1500-1620

Henri Quatre

Henry IV 1589-1610

House of Orange

William and

Mary

1688-1702

William and

Mary

Other European Countries 1500-1630

Louis Treize

LouisXIII 1610-1643

Anne 1702-1714

Queen

Anne

Barocco Styles

Beginning of the

Rococo

Louis Quatorze

LouisXIV 1643-1715

George I 1714-1727

Chippen-

Chippendale's book, "The Gentleman's and Cabinetmaker's Director," published 1754 and a later edition 1762.

Rococo |

Louis Quinze

Louis XV I7I5-I747

George II 1727-1760

Hepple-white

Georgian Period

Hepplewhite's book "The Cabinetmaker and Upholsterer's Guide," 1789.

Louis Seize

LouisXVI

1747-1793

George III 1760-1820

Adam

R. and J. Adam 1750-1700

Classical

Empire

Napoleon , 1793-1814

Sheraton

Sheraton's book, "The Cabinetmaker and Upholsterer's Drawing Book," was published in 1701. A later edition in 1812.

Reprinted from How to Know Period Styles in Furniture by W. L. Kimerly, by permission of The Grand Rapids Furniture Record Co.