"Continuing your walk round, you are next brought to a couple of rooms at the head of the court, which are supposed to have been tribunals, or audience chambers.

"Opposite to the Sala de los Abbencarrages, is the entrance into the Torre de las dos Hermanas, or the tower of the Two Sisters; bo named from two very beautiful pieces of marble laid as flags in the pavement. This gate exceeds all the rest in profusion of ornaments, and in the beauty of prospect which it affordo through a range of apartments, where a multitude of arches terminate in a large window open to the country. In a gleam of sunshine, the variety of tints and lights thrown upon this enfilade, are uncommonly rich. The first hall is the concert-room, where the women sat; the musicians played above in four balconies. In the middle is a jet d'eau. The marble pavement is equal to the finest existing, for the size of the flags and evenness of the colour. The two sisters are slabs, that measure fifteen feet by seven and a half, without flaw or stain. The walls, up to a certain height, are mosaic, and above are divided into very neat compartments of stucco, all of one design, which is also followed in many of the adjacent halls and galleries. The ceiling is a fretted cove. To preserve this vaulted roof, as well as some of the other principal cupolas, the outward walls of the towers are raised ten feet above the top of the dome, and support another roof over all, by which means no damage can ever be caused by wet weather, or excessive heat and cold.

"From this hall you pass round the little myrtle garden of Lindarax, into an additional building made to the east end by Charles V. The rooms are small and low. His favourite motto, ' Plus outre appears on every beam. This leads to a tower, projecting from the line of the north wall, call El To-cador, or the dressing-room of the sultana. It is a small square cabinet, in the middle of an open gallery, from which it received light by a door and three windows. The view is charming. In one corner is a large marble flag, drilled full of holes, through which the smoke of perfumes ascended from furnaces below; and here, it is presumed, the Moorish queen was wont to sit, to fumigate and sweeten her person. The emperor caused this pretty room to be painted with representations of his wars, and a great variety of grotesques, which appear to be copies, or at least imitations, of those in the lobby of the Vatican.

'From hence you go through a long passage to the hall of ambassadors, which is magnificently decorated with innumerable varieties of mosaics, and the mottos of all the kings of Grenada. This long narrow antichamber opens into the Com-muna on the left hand, and on the right into the great audience hall in the tower of Comares; a noble apartment, thirty-six feet square, thirty-six high up to the cornice, and eighteen from thence to the centre of the cupola. The walls on three sides are fifteen feet thick, on the other nine; the lower range of windows thirteen feet high. The wall is inlaid with mosaic of many colours, disposed in intricate knots, stars, and other figures. In every part, various Arabic sentences are repeated.

Great Temple Of The Ancient Egyptians At Theber

Interior of An Ancient Roman House.

"Having completed the tour of the upper apartments, which are upon a level with the offices of the new palace, you descend to the lower floor, which consisted of bedchambers and summer rooms: the back stairs and passages, that facilitated the intercourse between them, are without number. The most remarkable room below is the king's bedchamber, which communicated, by means of a gallery, with the upper story. The beds were placed in two alcoves, upca a raised pavement of blue and white tiles; but as it was repaired by Philip V. who passed some time here, it cannot be said how it may have been in former times. A fountain played in the middle, to refresh the apartment in hot weather.

"Behind the alcoves are small doors, that conduct you to the royal baths. These consist of one small closet, with marble cisterns for washing children, two rooms for grown-up persons, and vaults for boilers and furnaces, that supplied the baths with water, and the stoves with vapour. The troughs are formed of large slabs of white marble; the walls are orna mented with party-coloured earthenware, and light is admitted by holes in the ceiling. Hard by, is a whispering gallery, and a kind of gallery, said to have been made for the diversion of the women and children. One of the passages of communication is fenced off with a strong iron gate, and called the Prison of the Sultana; but it seems more probable that it was put up to prevent any body from climbing up into the women's quarter.

"Under the council-room is a long slip, called the King's Study: and adjoining to it are several vaults, said to be the place of burial of the royal family. In the year 1574, four sepulchres were opened, but, as they contained nothing but bones and ashes, were immediately closed again.'

This description of the Alhambra, concludes by observing how admirably every thing was planned and calculated for rendering this palace the most voluptuous of all retirements: what plentiful supplies of water were brought to refresh it in the hot months of summer; what a free circulation of air was contrived, by the judicious disposition of doors and windows; what shady gardens of aromatic trees; what noble views over the beautiful hills and fertile plains! No wonder the Moors regretted Granada; no wonder they still offer up prayers to God every Friday, for the recovery of this city, which they esteem a terrestrial paradise.