This section is from the book "A Library Of Wonders And Curiosities Found In Nature And Art, Science And Literature", by I. Platt. Also available from Amazon: A library of wonders and curiosities.
On this subject we shall derive considerable assistance from the same German philosopher that was quoted in the last section. Indeed, we shall make a liberal use of Sturm's Reflections in our delineations of the Curiosities of the human frame.

Muscles Of The Human Body
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Muscles Of The Human Body
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The exterior of the human body at once declares the 2 superiority of man over all living creatures. His Face, directed towards the heavens, prepares us to expect that dignified expression which is so legibly inscribed upon his features ; and from the countenance of man we may judge of his important destination, and high prerogatives. When the soul rests in undisturbed tranquillity, the features of the face are calm and composed; but when agitated by emotions, and tossed by contending passions, the countenance becomes a living picture, in which every sensation is depicted with equal force and delicacy. Each affection of the mind has its particular impression, and every change of countenance denotes some secret emotion of the heart. The Eye may, in particular, be regarded as the immediate organ of the soul; as a mirror, in which the wildest passions and the softest affections are reflected without disguise. Hence it may be called with propriety, the true interpreter of the soul, and organ of the understanding. The colour and motions of the eye contribute much to mark the character of the countenance. The human eyes are, in proportion, nearer to one another than those of any other living creatures ; the space between the eyes of most of them being so great, as to prevent their seeing an object with both their eyes at the same time, unless it is placed at a great distance. Next to the eyes, the eye-brows tend to fix the character of the countenance. Their colour lenders them particularly striking; they form the shade of the picture, which thus acquires greater force of colouring. The eye-lashes, when long and thick, give beauty and ad-ditional charms to the eye. They, at the same time, act as delicate curtains to catch any flying particles with which the atmosphere may be charged. The eye-brows are elevated, depressed, and contracted, by means of the muscles upon the forehead, which forms a very considerable part of the face, and adds much to its beauty when well formed: it should neither project much, nor be quite flat; neither very large, nor small; beautiful hair adds much to its appearance. The Nose is the most prominent, and least moveable part of the face; hence it adds more to the beauty than the expression of the countenance. The Mouth and Lips are, on the contrary, extremely susceptible of changes; and, if the eyes express the passions of the soul, the mouth seems more peculiarly to correspond with the emotions of the heart. The rosy bloom of the lips, and the ivory white of the teeth, complete the charms of the human face divine.
Another Curiosity on this subject is, the wonderful diversity of traits in the human countenance. It is an evident proof of the admirable wisdom of God, that though the bodies of men are so similar to each other in their essential parts, there is yet such a diversity in their exterior, that they can be readily distinguished "without the liability of error Amongst the many millions of men existing; in the universe. there are no two that are perfectly similar to each other Each one has some peculiarity pourtrayed in his countenance, or remarkable in his speech; and this diversity of counte nance is the more singular, because the parts which compose it are very few, and in each person are disposed according to the same plan. If all things had been produced by blind chance, the countenances of men might have resembled one another as nearly as balls cast in the same mould, or drops of water out of the same bucket: but as that is not the case, we must admire the infinite wisdom of the Creator, which, in thus diversifying the traits of the human countenance, has manifestly had in view the happiness of men ; for if they resembled each other perfectly, they could not be distinguished from one another, to the utter confusion and detriment of society. We should never be certain of life, nor of the peaceable possession of our property; thieves and robbers would run little risk of detection, for they could neither be distinguished by the traits of their countenance, nor the sound of their voice. Adultery, and every crime that stains humanity, might be practised with impunity, since the guilty would rarely be dis-covered; and we should be continually exposed to the machinations of the villain, and the malignity of the coward: we could not shelter ourselves from the confusion of the mis take, nor from the treachery and fraud of the deceitful; all the efforts of justice would be useless, and commerce would be the prey of error and uncertainty: in short, the uniformity and perfect similarity of faces would deprive society of its most endearing charms, and destroy the pleasure and sweet gratification of individual friendship.
We may well exclaim with a celebrated writer,"What a piece of work is man! how noble in reason! how infinite in faculties! in form, and moving, how express and admirable! in action, how like an angel! in apprehension, how like a god!"
 
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