865. There are many talkers, but few who know how to converse agreeably. (See 279, 3015.)

866. Speak distinctly, neither too rapidly nor too slowly.

867. Accommodate the pitch of your voice to the hearing of the person with whom you are conversing.

868. Never speak with your mouth full.

869. Tell your jokes and laugh afterwards.

870. Dispense with superfluous words - such as, "Well, I should think."

871. The woman who wishes her conversation to be agreeable wall avoid conceit or affectation, and laughter, which is not natural and spontaneous. Her language will be easy and unstudied, marked by a graceful carelessness, which, at the same time, never oversteps the limits of propriety. Her lips will readily yield to a pleasant smile; she will not love to hear herself talk; her tones will bear the impress of sincerity, and her eyes kindle with animation, as she speaks. The art of pleasing is, in truth, the very soul of good breeding: for the precise object of the latter is to render us agreeable to all with whom we associate;to make us at the same time, esteemed and loved.

872. We need scarcely advert to the rudeness of interrupting any one who is speaking, or to the impropriety of pushing,' to its full extent, a discussion which has become unpleasant.

873. Some men have a mania for Greek and Latin quotations; this is peculiarly to be avoided. It is like pulling up the stones from a tomb wherewith to kill the living. Nothing is more wearisome than pedantry.

874. If you feel your intellectual superiority to any one with whom you are conversing, do not seek to bear him down; it would be an inglorious triumph, and a breach of good manners. Beware too of speaking lightly of subjects which bear a sa-cred character.

875. Witlings occasionally pain a reputation in society; but nothing is more insipid and in worse taste than their conceited harangues and self-sufficient air.

876. It is a common idea that the art of writing and the art of conversation are one; this is a great mistake. A man of genius may be a very dull talker.

877. The two grand modes of making your conversation interesting, are to enliven it by recitals calculated to affect and impress your hearers, and to intersperse it with anecdotes and smart things. Rivasol was a master in the latter mode. (See 1338.)