The pattern is painted with a fine camel's-hair pencil, moistened with gold chloride. Hold the ivory over the mouth of a bottle in which hydrogen gas is generated (by the action of dilute sulphuric acid on zinc waste). The hydrogen reduces the auric chloride in the painted places into metallic gold, and the gold film precipitated in this manner will quickly obtain a considerable luster. The gold film is very thin, but durable.


This is especially suitable for monograms. Take gold bronze and place as much as can be taken up with the point of a knife in a color-cup, moistening with a few drops of genuine English gold paint. Coat the raised portions sparingly with gold, using a fine pencil; next, coat the outer and inner orders of the design. When the work is done, and if the staining and gilding have been unsuccessful, which occurs frequently at the outset, lay the work for 5 or 10 minutes in warmed lead water and brush off with pumice stone. By this process very fine shades are often obtained which cannot be produced by mere staining. Since the gold readily wears off on the high places of the work, it is well to lightly coat these portions with a thin shellac solution before gilding. This will cause the gilding to be more permanent.