This section is from the book "Venice - John L. Stoddard's Lectures", by John L. Stoddard. Also available from Amazon: John L. Stoddard's Lectures 13 Volume Set.

The Bronze Horses.
Viva San Marco! was the watchword alike of her armies and her navies; and when the captains of Venetian fleets came homeward from the Orient, the first inquiry put to them was this: "What new and splendid offering bring you for San Marco?" The dust of ages, therefore, may have gathered on this building, but it is, at least, the dust of gold. Its domes and spires glisten with the yellow lustre. It even gilds the four bronze horses which surmount its portal. These are among the most interesting statues in the world. We know not who the sculptor was that gave them their apparent life; but it is certain that they were carried to Rome and there attached to Nero's golden chariot. In the fourth century after Christ the emperor Constantine, when he transferred the seat of empire from the Tiber to the Bosphorus, took them to Constantinople, where for nine hundred years they proudly stood beside the Golden Horn. Then, when that capital was plundered by the Venetians, they were brought hither, and for five hundred years they adorned the entrance to St. Mark's. Even here their travels had not ended; for, a century ago, Napoleon, when conqueror of Italy, caused them to be conveyed to Paris, where, in the shadow of the Tuileries, they watched the triumph of the modern Caesar. But after Waterloo, Venice once more claimed them for her own.

The Portal Of St. Mark's.

Corner Of The Cathedral.
It is an impressive moment when one passes beneath these gilded steeds and enters the interior of the cathedral. A twilight gloom pervades it, well suited to its age and the mysterious origin of all it contains. The walls and roof are so profusely covered with mosaics and precious marbles that it is easy to understand why St. Mark's has been called the "Church of Gold," and likened to a cavern hung with stalactites of precious stones. Some of these ornaments are of pagan origin; others have come from Christian shrines. All, however, have had to pay their contribution to St. Mark's. Thus Santa Sophia at Constantinople, though still a Christian church and dedicated to the Saviour, was plundered to embellish the Venetian shrine named after His apostle. Hence, it is the literal truth that, overflowing with the spoils of other cities and sanctuaries, St. Mark's is a magnificent repository of booty - a veritable den of thieves. In the most prominent position in the church is the receptacle guarded by the statues of the twelve apostles, where is kept, as the most precious of its treasures, the body of St. Mark. On one side is the pulpit from which the old Doge, Dan-dolo, when ninety-three years of age, urged his people to undertake the fourth crusade.

A Venetian Lane.

A View On The Grand Canal.
"Men of Venice!" he exclaimed, "I am old and weak, and I need rest, but I will go with you to rescue from the infidel the Holy Sepulchre, and I will be victorious or lose my life." Hearing these words, the assembled people made these walls resound with the cry: "So be it! Lead us on! For God's sake go with us!" Then the old Doge descended from the pulpit, and standing on the steps between the jasper columns, received the badge of the Crusaders, the Cross of Christ, a miniature reproduction of the colossal crucifix, which glittered then, as it still gleams to-day, above the place on which he stood.

Interior Of St. Mark's Cathedral.

The Statues Of The Apostles.

A Type Of Gondolier.
On leaving this marvelous structure, one steps directly into the adjoining St. Mark's Square. If it be the hour of siesta, it will appear deserted. Yet this has been for centuries the Forum of Venetian life; the favorite place for her festivities; the beautiful, historic stage on which have been enacted most of the scenes connected with her glorious past. Around it are fine marble structures, which even now are used for offices of State. Within these long arcades are the most attractive shops in Venice, and, were there only a garden in the centre, the place would remind one of the Palais Royal at Paris, which was, in fact, built in imitation of this square. To-day the popularity of the Parisian square is waning, since many of its gorgeous shops have migrated to the Rue de la Paix. But owing to its situation, the attractiveness of the Venetian court can hardly be diminished. While Venice lasts, its glory must remain un-dimmed by Time.
 
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