The operation by which a writing or drawing is transferred from paper to stone, not only affords the means of abridging labour, but also of producing the writings or drawings in the same directions in which they have been traced; whereas, when they are executed immediately on stone, they must be performed in a direction opposite to that which they are eventually to have. Thus it is necessary to draw those objects on the left, which, in the impression, are to be on the right hand. To acquire the art of reversing subjects when writing or drawing, is both difficult and tedious; while, by the aid of transparent, and of autographic paper, impressions may be readily obtained in the same direction as that in which the writing or the drawing has been made In order to make a transfer on to stone of a writing, a drawing in litho graphic ink, or in crayons, or an impression from a copper plate, it is necessary 1st, that the drawing or transcript should be on a thin and flexible substance, such as common paper; 2d, that it should be capable of being easily detached from this substance, and transferred entirely on to the stone, by means of pressure.

But as the ink with which a drawing is traced penetrates the paper to a certain depth, and adheres to it with considerable tenacity, it would be difficult to detach them perfectly from each other, if, between the paper and the drawing, some substance was not interposed, which, by the portion of water which it is capable of imbibing, should so far lessen their adhesion to each other, that they may be completely separated in every point. It is to effect this that the paper is prepared, by covering it with a size, which may be written on with facility, and on which the finest lines may be traced without blotting the paper. Various means may be found of communicating this property to paper. The following preparation has always been found to succeed, and which, when the operation is performed with the necessary precautions, admits of the finest and most delicate lines being perfectly transferred, without leaving the faintest trace on the paper. For this purpose, it is necessary to take a strong, unsized paper, and to spread over it a size prepared of the following materials: starch, 120, gum arabic, 40, and alum, 21 drachms.

A moderately thick paste is made with the starch, by means of heat; into this paste is thrown the gum Arabic and the alum, which have been previously dissolved in water, and in separate vessels. The whole is mixed well together, and it is applied warm to the sheets of paper, by means of a brush, or a large flat hair pencil. The paper may be coloured by adding to the size a decoction of French berries, in the proportion of ten drachms. After having dried this autographic paper, it is put into a press, to flatten the sheets, and they are made smooth by placing them, two at a time, on a stone, and passing them under the scraper of the lithographic press. If, on trying this paper, it is found to have a tendency to blot, this inconvenience may be remedied by rubbing it with finely-powdered sandarac. Annexed is another recipe, which will be found equally useful, and which has the advantage of being applicable to thin paper, which has been sized. It requires only that the paper be of a firm texture; namely, gum tragacanth, 4 drachms; glue, 4; Spanish white, 8; and starch, 4 drachms.

The tragacanth is put into a large quantity of water to dissolve, thirty-six hours before it is mixed with the other materials; the glue is to be melted over the fire in the usual manner. A paste is made with the starch; and after having, whilst warm, mixed these several ingredients, the Spanish white is to be added to them, and a layer of the sizing is to be spread over the paper. as already described, taking care to agitate the mixture with the brush to the bottom of the vessel, that the Spanish white may be equally distributed throughout the liquid. We will hereafter point out the manner in which it is necessary to proceed, in order to transfer writings and drawings. There are two autographic processes which facilitate and abridge this kind of work when it is desired to copy a fac-simile, or a drawing in lines. The first of these methods is to trace, with autographic ink, any subject whatever, on a transparent paper, which is free from grease and from resin, like that which, in commerce, is known by the name of papier vegetal, and to transfer it to stone; this paper to be covered with a transparent size: this operation is difficult to execute, and requires much address, in consequence of the great tendency which this paper has to cockle or wrinkle when it is wetted.

Great facilities will be found from using tissue paper, impregnated with a fine white varnish, and afterwards sized over. In the second process, transparent leaves, formed of gelatin, or fish glue, are employed, and the design is traced on them with the dry point, so as to make an incision; these traces are to be filled up with autographic ink, and then transferred. We will describe, in their proper places, these processes, as well as that of transferring a lithographic or a copper-plate engraving.