But now proceed to ask what is this ether which in the case of light is thus vibrating? What corresponds to the elastic displacement and recoil of the spring or pendulum? What corresponds to the inertia whereby it overshoots its mark? Do we know these properties in the ether in any other way?

The answer, given first by Clerk Maxwell, and now reiterated and insisted on by experiments performed in every important laboratory in the world, is:

The elastic displacement corresponds to electrostatic charge (roughly speaking, to electricity).

The inertia corresponds to magnetism.

This is the basis of the modern electro-magnetic theory of light. Now let me illustrate electrically how this can be.

The old and familiar operation of charging a Leyden jar - the storing up of energy in a strained dielectric, any electrostatic charging whatever - is quite analogous to the drawing aside of our flexible spring. It is making use of the elasticity of the ether to produce a tendency to recoil. Letting go the spring is analogous to permitting a discharge of the jar - permitting the strained dielectric to recover itself, the electrostatic disturbance to subside.

In nearly all the experiments of electrostatics, ethereal elasticity is manifest.

Next consider inertia. How would one illustrate the fact that water, for instance, possesses inertia - the power of persisting in motion against obstacles - the power of possessing kinetic energy? The most direct way would be to take a stream of water and try suddenly to stop it. Open a water tap freely and then suddenly shut it. The impetus or momentum of the stopped water makes itself manifest by a violent shock to the pipe, with which everybody must be familiar. The momentum of water is utilized by engineers in the "water ram."

A precisely analogous experiment in electricity is what Faraday called "the extra current." Send a current through a coil of wire round a piece of iron, or take any other arrangement for developing powerful magnetism, and then suddenly stop the current by breaking the circuit. A violent flash occurs if the stoppage is sudden enough, a flash which means the bursting of the insulating air partition by the accumulated electro-magnetic momentum.

Briefly, we may say that nearly all electro-magnetic experiments illustrate the fact of ethereal inertia.

Now return to consider what happens when a charged conductor (say a Leyden jar) is discharged. The recoil of the strained dielectric causes a current, the inertia of this current causes it to overshoot the mark, and for an instant the charge of the jar is reversed; the current now flows backward and charges the jar up as at first; back again flows the current, and so on, charging and reversing the charge with rapid oscillations until the energy is all dissipated into heat. The operation is precisely analogous to the release of a strained spring or to the plucking of a stretched string.

But the discharging body thus thrown into strong electrical vibration is embedded in the all-pervading ether, and we have just seen that the ether possesses the two properties requisite for the generation and transmission of waves - viz., elasticity and inertia or density; hence, just as a tuning fork vibrating in air excites aerial waves or sound, so a discharging Leyden jar in ether excites ethereal waves or light.

Ethereal waves can therefore be actually produced by direct electrical means. I discharge here a jar, and the room is for an instant filled with light. With light, I say, though you can see nothing. You can see and hear the spark indeed - but that is a mere secondary disturbance we can for the present ignore - I do not mean any secondary disturbance. I mean the true ethereal waves emitted by the electric oscillation going on in the neighborhood of this recoiling dielectric. You pull aside the prong of a tuning fork and let it go; vibration follows and sound is produced. You charge a Leyden jar and let it discharge; vibration follows and light is excited.

It is light just as good as any other light. It travels at the same pace, it is reflected and refracted according to the same laws; every experiment known to optics can be performed with this ethereal radiation electrically produced, and yet you cannot see it. Why not? For no fault of the light; the fault (if there be a fault) is in the eye. The retina is incompetent to respond to these vibrations - they are too slow. The vibrations set up when this large jar is discharged are from a hundred thousand to a million per second, but that is too slow for the retina. It responds only to vibrations between 4,000 billions and 7,000 billions per second. The vibrations are too quick for the ear, which responds only to vibrations between 40 and 40,000 per second. Between the highest audible and the lowest visible vibrations there has been hitherto a great gap, which these electric oscillations go far to fill up. There has been a great gap simply because we have no intermediate sense organ to detect rates of vibration between 40,000 and 4,000,000,000,000,000 per second. It was, therefore, an unexplored territory.

Waves have been there all the time in any quantity, but we have not thought about them nor attended to them.

It happens that I have myself succeeded in getting electric oscillations so slow as to be audible. The lowest I have got at present are 125 per second, and for some way above this the sparks emit a musical note; but no one has yet succeeded in directly making electric oscillations which are visible, though indirectly every one does it when they light a candle.

Here, however, is an electric oscillator, which vibrates 300 million times a second, and emits ethereal waves a yard long. The whole range of vibrations between musical tones and some thousand million per second is now filled up.

These electro-magnetic waves have long been known on the side of theory, but interest in them has been immensely quickened by the discovery of a receiver or detector for them. The great though simple discovery by Hertz of an "electric eye," as Sir W. Thomson calls it, makes experiments on these waves for the first time easy or even possible. We have now a sort of artificial sense organ for their appreciation - an electric arrangement which can virtually "see" these intermediate rates of vibration.