"Artists" of the variety stage and the circus are always trying to find something new, for the same old trapeze performances, trials of strength, performances of rope dancers, etc., have been presented so many times that anyone who invents an entirely new trick is sure of making a large amount of money out of it; the more wild and dangerous it is, the better. Anything that naturally stands on its feet but can be made to stand on its head will be well received in the latter attitude by the public. Some such thought as this must have been in the mind of the man who conceived the idea of riding a bicycle on the ceiling instead of on the floor. The "trick" originated with the Swiss acrobat Di Batta, who, being too old to undertake such a performance himself, trained two of his pupils to do it, and they appeared with their wheel in Busch Circus in Berlin. The wheel, of course, ran on a track from which it was suspended in such a way that it could not fall, and the man who operated it used the handle bar as he would the cross bar of the trapeze.
One would think that the position of the rider was sufficiently dangerous to satisfy any public, but the inventor of the trick sought to make it appear more wonderful by having the rider carry between his teeth a little trapeze from the crosspiece of which another man hung.
Different colored lights were thrown on the performers as they rode around the ceiling, and at the end of the performance first one and then the other dropped into the safety net which had been placed about sixty feet below them. We are indebted to the Illustrirte Zeitung for the cut and article.