All of this study is mechanical, hence can be measured by the hard and fast lines of science. It must be said that a thorough study along these lines gives a scientific knowledge of the body, its structure and functions, so far as the mere human machine is concerned; but this study is only half of the knowledge required to fully understand the human animal.

Man's body has sensation and mind, and every tittle of the body is supplied with nerves that control the mechanism of every tittle or cell. Whether the work of the cell is done well or poorly depends entirely on the energy imparted by the nerves.

The amount of energy depends upon the health of the mind and nervous system. If the mental state is not favorable--if its influence is for overstimulation or depression--all cells are overstimulated or depressed. If the food or drink causes overstimulation or depression, the cell-life and its work are perverted. These influences cannot be weighed or measured, for they vary; they come and go with the thousands of influences to which man is subjected in his daily life.

There are glands in the body, the secretions of which cannot be analyzed; for they pass into the blood without being deposited in a receptacle. But, as man is a digestive apparatus, it is safe to predict that all secretions that are not lubricants are auxiliary to the enzymes, or they are enzymes.

In the body there are developed elements which are protective--which give the body power to resist unfavorable outside influences.

The only knowledge that can be gained of these autogenerated elements is gained by observing the body when these glands are diseased or removed, and when they are natural.

If there were no new developments, nor ductless glands in the body, the mind, or the functions of the cerebro-spinal system, would furnish quite enough of the speculative, unknown and unknowable, to remove forever cause and cure from the realm of science.

Hence the great subject of healing--cure--health and disease--must be approached with great reverence from the standpoint of art. I say it must be approached with reverence, because art belongs to the flower of mind.

The artist is attuned to the subtle in nature. He has the potentiality of becoming acquainted with the subtle elements and making the world acquainted with phenomena that would pass undiscovered were it not for his powers.

There is nothing supernatural about the artist and the secrets he inveigles from nature. The elements whose individuality are hidden from us objectively must manifest through elements that are within the grasp of our senses. This, however, does not mean that they are not of the same kind and order as the gross elements. Indeed, every thing points to a universal monism--a oneness of all things.

There is no secret in all nature that will not some day be delivered to mind; but the mind that discovers it must be free from the influences of gross matter.

The artist's mind, like the refined elements with which he deals, is attuned to their rhythm.

The mind of the hodcarrier is below that of the mason, that of the mason is below that of the contractor, and that of the contractor is below that of the architect. The architect's mind is mechanical--scientific--and artistic. The more artistic, the more beautiful his work. If he is not artistic, his work may be good from a scientific standpoint, but he can never be anything except an imitator.

The physician may be scientific, but if he is not artistic, his work will be gross indeed--far more gross than that of the scientific architect; for the latter deals with gross, inanimate matter, while the former not only has to deal with matter, but that matter is potentialized by a subtle element which is not subject to the hard and fast lines of mechanical science, and it causes matter, over which it presides, to disappoint the expectations of the medical scientist.

The above explanation should be welcomed by all who care anything for truth; for it gives the key to the confusion--Babel--that is seen everywhere on the subject of medicine.

This explanation accounts for schools; for theories that are poles apart; for cures that are diametrically opposite.

Medicine, so far as aiding people to get well is concerned, is artistic pure and simple. The artist must, however, have a foundation of scientific knowledge; but if he is not artistic, or if his artistic sense is suppressed by gross habits, his work will be gross indeed, and instead of being a healer, he will be a scientific killer.