These and their appropriate ceilings are primarily of Period character and where a distinctly period style of decoration is desired a correct following of that style is necessary. Modern architects have, however, designed many more non-committal derivations and these may be employed where a general method of furnishing is adopted. A charming British example of such panelling in a modern bedroom is illustrated in colour in Plate 64. It may be said here that panelling of even such an elaborate character as that in the Georgian dining-room shown in Plate 65 A, while decorative, is still of background nature, and allows, without confusion, the employment of pattern and colour in the furnishings, as does all other panelling not in itself too ornamental, colourful or of striking contrast. In eighteenth century England and America panelling was often painted not only in white but in such tones as cream, pale green, blue green, grey and chocolate, and frequently the carving was gilded or parcel gilt.

With panelled walls should be included those with painted inserts and others mentioned in the section on Modern Decoration which follows. The very simple method of panelling by canvas and applied mouldings (Plate 65 B) is deserving of special attention because of its inexpensiveness and excellent effect. In drawing-rooms, dining-rooms and boudoirs such fabrics as damask and watered silk and distinguished ornamental Japanese and other papers may be used with fine effect as panel inserts. Such treatments give excellent scope to tasteful ingenuity - a plain or figured gold Japanese paper such as comes in sheets would go excellently well with panelling of a deep cream, or a silvered paper with grey or oyster-white. Conventional, or flower, or figure decorations may also be painted in panels, doorheads, and the like.