This section is from the book "Early English Furniture & Woodwork", by Herbert Cescinsky, Ernest. R. Gribble. Also available from Amazon: Early English Furniture & Woodwork.


A Suggested Reconstruction Of The 14th Century Retable, Or Predella, On The Opposite Page (Reproduced by direct colour photography from the original, by the permission of the Dean of Norwich Cathedral.)

The panels represent (1) the Scourging; (2) the Bearing of the Cross; (3) the Crucifixion (a fragment); (4) the Resurrection; and (5) the Ascension.
The ground and surrounds are decorated in modelled and gilded gesso.
The coats of arms on the small square panels, numbered 1 to 17, are (as nearly as can be ascertained) of the families given below.
<table frame="box" rules="all" border="1">Colour of
Ground or Backing.
Banner.
Condition.
Arms of.
No. 1
Red
Destroyed
-
-
2
Red
Traces of ■ -
Despencer
(Bishop of Norwich, 1370-1406.) Quarterly argent and gules, the 2nd and 3rd quarters fretty or; over all a bend sable.
3
Red
Defaced
-
-
4
Red
Almost destroyed
-
-
5
Black
Perfect
Hales
(Record of family, 1381.) Sable a chevron between three lions rampant argent.
6
Black ?
Perfect
Morieux
(Record of family, 1381.) Gules, a bend argent billety sable.
7
Black
Almost obliterated
-
(Doubtful traces of fess as ordinary.)
8
Red
Obliterated
-
-
9
Red
Almost obliterated
-
(Traces of fess) ?
10
Red
Almost obliterated
Clifford ?
(Traces of checkers and narrow fess) ?
II
Black
Partly obliterated
Kerdeston
Gules, a saltire engrailed argent.
12
Black
Partly obliterated
Gernon
(Record of Sir Nicholas Gernon, 1374.) Paly nebuly argent (or or) and gules.
13
Black
Complete
Howard
(Record of Sir John Howard, 1388.) Gules, a bend between six cross-crosslets fitchees argent.
14
Red
Destroyed
-
15
Red
Destroyed
-
16
Red
Destroyed
-
17
Red
Destroyed
-
-
18-28
■ -
Missing
-
(See pp. 120, 121, 122 and 124.)
 
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