The paper used is coated on one surface with a mixture of gelatin and some pigment (the color of which depends upon the color the required print is to be), and then allowed to dry. When required for printing it is sensitized by floating upon a solution of bichromate of potassium, and then again drying, in the dark this time. The process is based upon the action of light upon this film of chromatized gelatin; wherever the light reaches, the gelatin is rendered insoluble, even in hot water.

The paper is exposed in the usual way. But as the appearance of the paper before and after printing is precisely the same, it is impossible to tell when it is printed by examining the print. This is usually accomplished by exposing a piece of gelatino-chloride paper under a negative of about the same density, and placing it alongside of the carbon print. When the gelatino-chloride paper is printed, the carbon will be finished. The paper is then removed from the printing frame and immersed in cold water, which removes a great deal of the. bichromate of potassium, and also makes the print lie out flat. It is then floated on to what is known as a support, and pressed firmly upon it, face downwards, and allowed to remain for 5 or 10 minutes. Then the support, together with the print, is placed in hot water for a short time, and when the gelatin commences to ooze out at the edges the print is removed by stripping from the support, this process leaving the greater quantity of the gelatin and pigment upon the support. The gelatin and pigment are then treated with hot water by running the hot water over the face of the support by means of a sponge. This removes the soluble gelatin, and leaves the gelatin, together with the pigment it contains, which was acted upon by light; this then constitutes the picture.

The reason for transferring the gelatin film is quite apparent, since the greater portion of the unacted-upon gelatin will be at the back of the film, and in order to get at it to remove it, it is necessary to transfer it to a support. In this condition the print can be dried and mounted, but on consideration it will be seen that the picture is in a reversed position, that is to say, that the right-hand side of the original has become the left, and vice versa.

If the picture be finished in this condition, it is said to have been done by the single transfer method. In some instances this reversal would be of no consequence, such as some portraits, but with views which are known this would never do. In order to remedy this state of affairs, the picture is transferred once more, by pressing, while wet, upon another support, and allowed to dry upon it; when separated, the picture remains upon the latter support, and is in its right position. This is what is known as the double transfer method. When the double transfer method is used, the first support consists of a specially prepared support, which has been waxed in order to prevent the pictures from adhering permanently to it; this is then known as a temporary support. The paper upon which the print is finally received is prepared with a coating of gelatin, and is known as the final support.