An instrument for creating and exhibiting an infinite variety of beautiful forms, pleasing the eye by an ever-varying succession of splendid tints and symmetrical figures, and enabling the observer to render permanent such as may appear appropriate for any branch of the ornamental arts. This instrument, the invention of Dr. Brewster, in its most common form consists of a tin tube, containing two reflecting surfaces, inclined to each other at any angle which is an aliquot part of 360°. The reflecting surfaces may be two plates of glass, plain or quicksilvered, or two metallic surfaces, from which the light suffers total reflection. The plates should vary in length, according to the focal distance of the eye: five, six, seven, eight, nine, and ten inches, will, in general, be most convenient; or they may be made only one, two, three, or four inches long, provided distinct vision is obtained at one end, by placing at the other an eye-glass whose focal length is equal to the length of the reflecting planes. The inclination of the reflector that is in general most pleasing is 180o, 20°, 22 1/2° or the 20th, 18th, and 16th part of a circle; but the planes may be set at any required angle, either by a metallic, a paper, or cloth joint, or any other simple contrivance.

When the two planes are put together, with their straightest and smoothest edge in contact, they will have the form of a book opened at one side. When the instrument is thus constructed, it may be covered up either with paper or leather, or placed in a cylindrical or any other tube, so that the triangular aperture may be left completely open, and also a small aperture at the opposite extremity of the tube. If the eye be placed at the aperture, it will perceive a brilliant circle of light, divided into as many sectors as the number of times that the angle of the reflectors is contained in 360°. If this angle be 18°, the number of sectors will be 20; and whatever be the form of the aperture, the luminous space seen through the instrument will be a figure produced by the arrangement of twenty of these apertures round the joint as a centre, in consequence of the successive reflections between the polished surfaces. Hence it follows that if any object, however ugly or irregular in itself, be placed before the aperture, the part of it that can be seen through the aperture will be seen also in every sector, and every image of the object will coalesce into a form mathematically symmetrical, and highly pleasing to the eye.

If the object be put in motion, the combination of images will likewise be put in motion, and new forms, perfectly different, but equally symmetrical, will successively present themselves, sometimes vanishing in the centre, sometimes emerging from it, and sometimes playing around in double and opposite oscillations. When the object is tinged with different colours, the most beautiful tints are developed in succession, and the whole figure delights the eye by the perfection of its forms, and the brilliancy of its colouring. The eye-glass placed immediately against the end of the mirrors, as well as another glass similarly situated at the other end, is of common transparent glass. The tube is continued a little beyond this second glass, and at its termination is closed by a ground glass, which can be put on and off. In the vacant space thus formed, beads, pieces of coloured glass, and other small bright objects are put. The changes produced in their position by turning the tube give rise to the different figures.