This section is from the book "The Art Of Interior Decoration", by Grace Wood, Emily Burbank. Also available from Amazon: The Art of Interior Decoration.
THE first thing to consider in selecting window shades when furnishing a house, is whether their colour harmonises with the exterior. Keeping this point in mind, further limit your selection to those colours and tones which harmonise with your colour schemes for the interior. If you use white net or scrim, your shades must be white, and if ecru net, your shades must be ecru. If the outside of your house calls for one colour in shades and the interior calls for another, use two sets. Your dark-green sun shades never interfere, as they can always be covered by the inner set Sometimes the dark green harmonises with the colouring of the rooms.
A room often needs, for sake of balance, to be weighted by colour on the window sides more than your heavy curtains (silk or cretonne) contribute when drawn back; in such a case decorators use coloured gauze for sash curtains in one, two or three shades and layers, which are so filmy and delicate both in texture and colouring that they allow air and light to pass through them, the effect being charming.
Another way to obtain the required colour value at your windows is the revival of glazed linens, with beautiful coloured designs, made up into shades. These are very attractive in a sunny room where the strong light brings out the design of flowers, fruits or foliage. Plate X shows a room in which this style of shade is used with great success. It is to be especially commended in such a case as Plate X, where no curtains are used at windows. Here the figured linen shade is a deliberate contribution to the decorative scheme of the room and completes it as no other material could.
Awnings can make or mar a house, give it style or keep it in the class of the commonplace. So choose carefully with reference to the colour of your house. The fact that awnings show up at a great distance and never "in the hand," as it were, argues in favour of clear stripes, in two colours and of even size, with as few extra threads of other colours as possible.
Shows a part of a fine, old Italian refectory table, and one of the chairs, also antiques, which are beautifully proportioned and made comfortable with cushions of dark red velvet, in colour like curtains at window, which are of silk brocade.
The standard electric lamps throw the light up only. There are four, one in each corner of the room, and candles light the table.
The wall decoration here is a flower picture.

Corner of Dining-room in New York Apartment, Showing Section of Italian Refec-tory Table and Italian Chairs, Both Antique and Renaissance.
All awnings fade, even in one season; green is, perhaps, the least durable in the sun, yellows and browns look well the longest. Fortunately an awning, a discouraging sight when taken down and in a collapsed mass of faded canvas, will often look well when up and stretched, because the strong light brings out the fresh colour of the inside. Hence one finds these rather expensive necessities of summer homes may be used for several seasons.
 
Continue to: