This section is from the book "Cyclopedia Of Painting", by George D. Armstrong. Also available from Amazon: Cyclopedia of Painting.
All brushes, after being used, should be carefully cleaned. This is best effected by immersing the hair of the brushes in a little raw linseed oil, the oil should afterwards be washed out with soap and warm water, till the froth which is made by rubbing the brushes on the palm of the hand is perfectly colorless. The brushes should next be rinsed in clean water, and the water pressed out by a clean towel. The hair should then be laid straight and smooth, and each brush restored to its proper shape, by passing it between the finger and thumb, before it is left to dry. Care should be taken not to break the hair by too violent rubbing, as that would render the brushes useless. Many painters use turpentine instead of linseed oil in the cleaning of brushes, it effects the object more quickly, but the only use of turpentine that should be permitted is to rinse the brushes in it slightly when it is required to clean them quickly, but on no account should they be permitted to remain soaking in turpentine, as this practice is certain to injure the brushes, rendering the hair harsh and intractable, and frequently dissolving the cement by which the hair is held in the socket of the handle.
 
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