The term silver deposit designates a coating of silver which is deposited upon glass, porcelain, china, or other substances. This deposit may be made to take the form of any desired design, and to the observer it has the appearance (in the case of glass) of having been melted on.

Practically all of the plated articles are made by painting the design upon the glass or other surface by means of a mixture of powdered silver, a flux and a liquid to make the mixture in the form of a paint so that it may be readily spread over the surface. This design is then fired in a muffle until the flux melts and causes the silver to become firmly attached to the glass. A thin silver deposit is thus produced, which is a conductor of electricity, and upon which any thickness of silver deposit may be produced by electroplating in the usual cyanide silver-plating bath.

To be successful in securing a lasting deposit a suitable flux must be used! This flux must melt at a lower temperature than the glass upon which it is put, in order to prevent the softening of the articles by the necessary heat and the accompanying distortion. Second, a suitable muffle must be had for firing the glass articles upon which the design has been painted. Not only must a muffle be used in which the heat can be absolutely controlled, but one which allows the slow cooling of the articles. If this is not done they are apt to crack while cooling.

The manufacture of the flux is the most critical part of the silver deposit process. Without a good flux the operation will not be a success. This flux is frequently called an enamel or frit. After a series of experiments it was found that the most suitable flux is a borate of lead. This is easily prepared, fuses before the glass softens, and adheres tenaciously to the glass surface.

To make it, proceed as follows: Dissolve 1/4 pound of acetate of lead (sugar of lead) in 1 quart of water and heat to boiling. Dissolve 1/4 pound of borax in 1 quart of hot water and add to the sugar of lead solution. Borate of lead follows as a white precipitate. This is filtered out and washed until free from impurities. It is then dried.

The precipitated borate of lead is then melted in a porcelain or clay crucible. When in the melted condition it should be poured into a basin of cold water. This serves to granulate and render it easily pulverized. After it has been poured into water it is removed and dried. Before using in the paint it is necessary that this fused borate of lead be ground in a mortar as fine as possible. Unless this is done the deposit will not be smooth.

The silver to be used should be finely powdered silver, which can be purchased in the same manner as bronze powders.

The mixture used for painting the design upon the glass is composed of 2 parts of the powdered silver, and 1 part of the fused borate of lead. Place the parts in a mortar and add just enough oil of lavender to make the mass of a paint-like consistency. The whole is then ground with the pestle until it is as fine as possible. The amount of oil of lavender which is used must not be too great, as it will then be found that a thick layer cannot be obtained upon the glass.

The glass to be treated must be cleaned by scouring with wet pumice stone and washing soda. The glass should be rinsed and dried. The design is then painted on the glass with a brush, painting as thick as possible and yet leaving a smooth, even surface. The glass should be allowed to dry for 24 hours, when it is ready for firing.

When placed in the gas muffle, the glass should be subjected to a temperature of a very low red heat. The borate of lead will melt at this temperature, and after holding this heat a short time to enable the borate of lead to melt and attach itself, the muffle is allowed to cool.

After cooling, the articles are removed and scratch brushed and placed in a silver bath for an electro deposit of silver of a thickness desired.

Before the plating the glass article is dipped into a cyanide dip, or, if found necessary, scoured lightly with pumice stone and cyanide, and then given a dip in the customary blue dip or mercury solution, so as to quickly cover all parts of the surface. It next passes to the regular cyanide silver solution, and is ' allowed to remain until the desired deposit is obtained.

A little potassium cyanide and some mono-basic potassium citrate in powder form is added from time to time to the bath generally used, which is prepared by dissolving freshly precipitated silver cyanide in a potassium cyanide solution. After this the glass is rinsed and dried, and may be finished by buffing.