This section is from the book "The Old Furniture Book", by Hannah Hudson Moore. Also available from Amazon: The Old Furniture Book.
They were so unusual that they were worn ostentatiously round the neck hanging to a chain.
In an old play called " A Mad World, My Masters !", one of the characters says "Ah, by my troth, sir, besides a jewel and a jewel's fellow, a good fair watch that hung about my neck." When Malvolio was telling over the agreeable ways in which he would occupy himself after his marriage with Olivia, he says, "I frown the while, and perchance wind up my watch or play with some rich jewel." Watches called "strikers" were known in Ben Jonson's time, for he says in his "Staple of News" "' T strikes ! One, two, Three, four, five, six. Enough, enough, dear watch. Thy pulse hath beat enough. Now stop and rest."
Watches were in use so rarely in the early times of James I. that it was deemed a cause of suspicion when in 1605 one was found upon the person of Guy Vaux. By 1638 they were more common, and in a comedy of that year called "The Antipodes " it is complained that every clerk can carry The time of day in his pocket."
The prices of these first time-keepers must have been high, but there are no records of them left. In 1643 the sum of £4. was paid to redeem a watch taken from a nobleman in battle. In 1661 there was advertised as lost "a round watch of reasonable size, showing the day of the month, age of the moon, and tides, upon the upper plate. Thomas Alcock fecit."
The redoubtable Pepys's curiosity extended to watches, and he writes in his diary, December 22, 1665:
"I to my Lord Brouncker's, and there spent the evening by my desire in seeing his Lordship open to pieces and make up again his watch, thereby being taught what I never knew before; and it is a thing very well worth my having seen, and am mightily pleased and satisfied with it."
The English became such famous watchmakers that in 1698 an act was passed to compel makers to place their names upon those they made, in order that discreditable ones might not be passed for English. Among the possessions of the English Crown is a watch which was found about 1770 in Bruce Castle, Scotland. On the dial plate is written "Robertus B. Rex Scotorum", and over the face is a shield of convex horn instead of glass. Robert Bruce began his reign in 1305 and died in 1328, long before watches were supposed to be known in England. The case of this watch is of silver in a raised pattern on a ground of blue enamel.
Striking watches were highly esteemed. When Sarah, Duchess of Marlborough died in 1744 she left a will covering six skins of parchment, and she designated the disposal of "manors, parsonages, rectories, advowsons, messuages, lands, tenements, tithes, and hereditaments", in half a dozen counties. She also specified many of her jewels, and among them is her "striking watch which formerly belonged to Lady Sutherland."
The lantern style of clock before mentioned was not original with Tompion, but had been used in England from the beginning of the seventeenth century. They ran by weights, and the clock had to be affixed to a bracket or shelf in order to give room for the weights to hang. In the clock in Figure 95 the cords and weights have been removed. The faces of these clocks always stood out beyond the frame, and were of beautifully engraved or etched brass, as may be seen in the figure. The single hand showed only the fifths of the hour and the hours. The small dial in the centre was to set the alarm, which struck the bell, but in some of them the hours were struck also.
The portable or table clock came into use early in 1600, and one of them shown in Figure 95 has the oval top to the dial which was not in use till the last part of the seventeenth century. These were the common house clocks of the period and were easily carried about. Some found their way to America, and as they were well made, with brass works, they are still able to give correct time. This style of clock was made for many years, and was manufactured in substantially the same way, late in the eighteenth century, by such famous makers as Isaac Fox and Joseph Rose.
Samuel Pepys, who recorded everything that was going on in London, in July 28th, 1660, has this entry.
"To Westminster, and there met Mr. Henson, who had formerly had the brave clock that went with bullets, (which is now taken away from him by the King, it being his goods)."
In the "Gentlemen's Magazine" for 1785 is the following comment on this statement of Pepys.
"Some clocks are still made with a small ball, or bullet on an inclined plane, which turns every minute."
The King's clocks probably dropped bullets. Gainsborough, the painter, had a brother who was a dissenting minister at Henley-on-Thames and possessed a strong genius for mechanics. He invented a clock of very peculiar construction, which after his death was deposited in the British Museum. It told the hour by a little bell, and was kept in motion by a leaden bullet which dropped, from a spiral reservoir at the top of the clock, into a little ivory bucket. This was so contrived as to discharge it at the bottom, and by means of a counterweight was carried up to the top of the clock, where it received another bullet, which was discharged as the former. This seems to have been an attempt at perpetual motion.
Catherine of Braganza was responsible for introducing many luxuries to the English world. Pepys makes this mention of her clock in 1664.
"Mr. Pierce showed me the Queen's [the Portuguese Princess, wife of Charles II] bedchamber. . . . and her holy water at her head as she sleeps, with a clock by her bedside, wherein a lamp burns that tells her the time of the night at any time."
Pepys speaks again in 1667 of going to see "a piece of clocke-worke made by an Englishman-indeed very good, wherein all the several states of man's age to one hundred years old, is shown very pretty and solemne."
Besides the dolphin fret shown on the Tompion clock in Figure 95 there were other patterns, perhaps the earliest being what is called the "heraldic fret", which was a coat-of-arms with scroll-work on either side. This was not used after 1650, so any clocks bearing this pattern belong to the first half of the seventeenth century. It was early seen that to be accurate a clock must have some contrivance to keep it going while it is being wound. In the old-fashioned house clocks which were wound by merely pulling a string, and in which one such winding served both for the going and striking parts, this was done by using what was called the endless chain of Huyghens, which consists of a chain or string with ends joined together, passing over two pulleys which are placed on the arbors of the great wheels, and which have both spikes and deep grooves in them to prevent the chain from slipping off.
 
Continue to: