This section is from the book "The Old Furniture Book", by Hannah Hudson Moore. Also available from Amazon: The Old Furniture Book.
"A half-worn bed; one pillow; two cushions of ticking, with feathers; one rug; four sheets; four cushion-covers; two iron pots: three pewter dishes; one pewter basin; one iron roster; one schuryn spoon; two cowes about five years old; one case or cupboard , one table."
August 31, 1694, Jan.Becker's inventory entered at Albany, New York, showed a long list. Besides abundant household goods he had "A silver spoon; 3 pr. gold buttons; 5 doz. & 10 silver buttons for shirts; & 2 silver scnuffies."
It is not difficult to picture in the mind how these old Dutch houses looked when the living-room was made snug and warm of a winter's evening. At various places along the Hudson and on Long Island there are still standing some of these old, low-ceiled, wooden houses, with sloping roof and great chimney. The furniture was generally of oak (particularly if it had been brought from home) and carved. The most important objects in the room are the mantelpiece and the bed, the former of carved wood, its ornate character significant of the wealth of the owner, and its size seldom less than the height of the room. The bed was frequently built in the room, a sort of bunk, hung with curtains often of bright chintz, though, judging from the inventories, "purple calico" curtains were immensely popular, just as this same fabric is beloved to-day by the pretty maid-servants one sees tripping through the quaint old streets of Holland. There were stools; not many chairs; tables, one or two; each with its bright carpet or cover; racks on the wall for what delft the mistress had; and below it the treasured spoons. In the great kas, which took up a large portion of the room, was the linen, covers for tables, side-tables, shelves, etc., and all the napkins and choice belongings of the housewife.
If this kas was carved oak it sometimes stood on a frame; sometimes it had ponderous locks. If it was painted or inlaid wood it might reach nearly to the floor, and then stand upon large ball feet. Some of these kas were so large and heavy that it was almost impossible to move them, and there is the record of one vrouzv who upon moving from Flatbush was obliged to abandon hers, leaving it behind her and selling it for £25.
In the Van Rensselaer family is a marriage kas which goes back to the beginning of the eighteenth century. It was imported from Holland by the parents of Katherine Van Brugh, who wished their only daughter to have everything that money could buy, and during her early years it was being filled with linen and household goods woven under her father's roof. It was no light task to fill this great chest, for it stood seven feet high and proportionally wide. It is of carved oak, has many drawers and receptacles, and will hold the silver and finery of the mistress, while there are secret drawers for "duccatoons and jacobuses." The keyhole is concealed under a movable cover of carved wood, which looks like a part of the carving when dropped in place. The ponderous key is of iron and has many wards.
If the family was quite well to do and owned a good stock of clothes, there would be one or more smaller cases, or chests, in which these were stored away. Much furniture was made here by Dutch workmen, who followed the fashions of their native land. They found abundant material, and more was brought into the country, - in devious ways sometimes, but still it came.
The court records for New Amsterdam for 1644 report a bark, Croisie, of Biscay, which was brought into the harbour as a prize by the ship La Garce, being laden with sugar, tobacco, and ebony. The claim of the master of the La Garce was granted, and the goods sold.
Nearly always there was a little silver, - spoons, mugs, and a salt-cellar; and, as years passed on, much coin was beaten by some member of the family (for there were many Dutch silversmiths) into tankards, - splendid heavy vessels, capable of holding a quart, with cover and thumb-piece, and showing the marks of the mallet on the bottom and inside, for all of these pieces of plate were hand-made. Waiters and massive bowls were seen in nearly every family of easy circumstances, and they scarcely ever went out of the family, as it was a matter of pride to retain them. Much of this fine old plate is treasured to-day by descendants of its former owners. It has survived better than the furniture, indestructible as that seemed.
In 1739 Lowrens Claesen, of Schenectady, had, among other property, a gold seal ring and a silver cup marked "L. V. V." Myndert Fredricksen of Albany County, New York, blacksmith, left in 1703 a great silver tankard, a church book with silver clasps and chains, and a silver tumbler marked "M. F." A blacksmith in those days meant a worker in iron, and this one must have been prosperous, for he owned his house and land, and furniture as well as silver.
But even if silver were lacking there were brass skillets and warming-pans, and pewter was the ordinary table furniture, which was scoured to a polish little short of silver. One or two pieces of brightly decorated Delft ware was the crowning glory of the housewife's treasures, and far too precious for every-day use. So holes were drilled in the edge, and a stout cord passed through, so that it could be hung upon the wall. There was, of course, a clock also", and leather chairs. Nicholas Van Rensselaer, of Albany, who died in 1679, was a wealthy and important member of the colony of Albany. His house had two beds, two looking-glasses, two chests of drawers, two tables, one of oak and one of nut-wood; also a table of pine, as well as six stools of the same; a sleeping-bunk or built-in bed, over twenty pictures, a desk, and, of course, brushes and kitchen utensils. These goods were disposed of through four rooms. Not only were all the necessaries abundant, but some very elegant furniture came in with almost every ship, and even before 1700, ebony chairs, boxes and cabinets are mentioned in the inventories; but such splendid pieces as the cabinet shown in Figure 15, with carved panels in the doors, and carved twisted legs, were only occasionally to be met with.

Figure 15. EBONY CABINET.
 
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