This section is from the book "Woodworking For Beginners: A Manual for Amateurs", by Charles G. Wheeler. Also available from Amazon: Woodworking For Beginners.
It is very important to get started right in using tools. If your first idea of what the tool is for and how it should be used is correct you will get along nicely afterwards, but if you start with a wrong impression you will have to unlearn, which is always hard, and start afresh.
If you can go to a good wood-working school you will of course learn much, and if you know a good-natured carpenter or cabinet-maker or any wood-worker of the old-fashioned kind, cultivate his acquaintance. If he is willing to let you watch his work and to answer your questions you can add much to your knowledge of the uses of the different tools. In fact, so far as instruction goes that is about all the teaching the average apprentice gets. He learns by observing and by practice. Do not be afraid or ashamed to ask questions= Very few men will refuse to answer an amateur's questions unless they are unreasonably frequent. There will be problems enough to exercise all the ingenuity you have after you have learned what you can from others.
But the day for the all-round workman seems to be rapidly passing away and the tendency nowadays is for each workman, instead of spending years in learning the various branches and details of his trade, to be expert in only one very limited branch - or, as sometimes happens, a general botch in all the branches; so unless you find a real mechanic for a friend (such as an old or middle-aged village carpenter, or cabinet-maker, or wheelwright, or boat-builder, or carver), be a little guarded about believing all he tells or shows you ; and beware of relying implicitly on the teachings of the man who "knows it all " and whom a season's work at nailing up studding and boarding has turned into a full-fledged "carpenter."
If you can learn to use your tools with either hand you will often find it a decided advantage, as in getting out crooked work, or particularly in carving, where you have such an endless variety of cuts to be made in almost every possible direction, but "that is another story." A bad habit and one to guard against is that of carrying with you the tool you may be using whenever you leave your work temporarily, instead of laying it down where you are working. Edge-tools are dangerous things to carry around in the hand and there is also much chance of their being mislaid.
For directions for using the different tools see Part V.
 
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