Study No. 2. Title, "An October Morning," by Sweet Brothers, Minneapolis, Minn. This picture was made at 7:30 a. m. in a very heavy frost. The lens used was a Zeiss, stopped down to F. 8; plate used, a Double Coated Orthonon; exposure given, 1/8 second; developed with eikonogen-hydroquinon, with no after treatment. (See Page 26.)

Study No. 7. Title, "A Corner in the Piazetti" in Venice, by Wm. H. Phillips, Liverpool, Ohio. The camera used was a No. 3 Folding Pocket Kodak Camera attached to a tripod. The lens used was a Goerz, Series 3, 5 inch focus. The weather was cloudy, and there were people constantly passing by. To avoid the figures appearing in the picture I was compelled to close the shutter many times. In consequence, this picture has received about 50 exposures of 1-100 part of a second each. The total time for completing these exposures was about five minutes. Care was taken that no consecutive exposure was given having any person standing in the same place. Consequently, the picture was made without figures in the view. The negative was made on a non-curling film, developed with pyro, with no altering in the development. The film was enlarged, and the prints were made on Royal Bromide paper, 11 x 14 inches; developed with rodinal strong solution - one part rodinal, 6 parts water. (See Page 52.)

Study No. 1. Title, "Souvenir de Petit Trianon," in Versailles, Paris, by Wm. H. Phillips, Liverpool, Ohio. The camera used in making this picture was a No. 3 Folding

Pocket; the lens was a Goerz 5 inch focus, Series 3; negative was made on non-curling film, developed in pyro-soda developer. The print was made on Royal Bromide enlargement 11 x 14 inches, developed with rodinal strong solution - one part rodinal, 6 parts water. The print was mounted with white margin on chocolate mount. (See Page 25.)

Study No. 16. Title, "Street in Old Japan," by Wm. H. Phillips, Liverpool, Ohio. The camera used was a No. 3 Folding Pocket Kodak; lens, a Goerz 5 inch focus, Series 3; negative was made on non-curling film; developed with pyro-developer, with no after manipulation. Print was enlarged to 8 x 10 on Royal Bromide, developed with rodinal strong solution - one part rodinal, 6 parts water. (See Page 145.)

Study No. 44. Title, "Spring," by Wm. H. Phillips, Liverpool, Ohio. The camera used was a No. 3 Folding Pocket Kodak; lens used was a Goerz 5 inch focus, Series 3; negative was made on non-curling film; developed with pyro-soda developer. Print was made on Royal Bromide enlargement to 11 x 14 inches; developed with rodinal strong solution - one part rodinal, 6 parts water. (See Page 289.)

Study No. 13. Title, "Calling the Ferryman," by Mrs. Nancy F. Cones, Covington, Ky. The weather conditions in making this picture were slightly cloudy. The exposure was made at 10 a. m.; lens used was a Bausch & Lomb Rapid Rectilinear; stop used, 32; exposure given, 1 second; film used, Eastman non-curling; developed with metol-quinol developer, with no after manipulation. The printing process was Aristo Platino, sepia tone, mounted on sepia mount. (See Page 130.)

Study No. 28. Title, "Moonlight on the Mississippi," by R. E. Weeks, Chicago, Ill. This picture was hung at the Royal London and First American Salons. The weather conditions when making this picture were bright. The exposure was made at 5:30 p. m.; lens used was the regular equipment of a Bull's Eye camera, open stop; exposure, instantaneous; negative was made on an Eastman film, developed with hydroquinon-metol. The diffused focus was obtained by printing through bolting cloth; printing process, 6epia on Royal Bromide, enlargement from a 3 1/2 x 3 1/2 film; toned in alum hypo bath. Print was mounted on a sepia colored mount. (See Page 227.)

Study No. 45. Title, "The Road in the Sand," by Geo. H. Scheer, M. D., Sheboygan, Wis. This picture, exhibited at the Third American Salon, was made on a bright cloudy day, about 2:30 p. m., in the month of October. The lens used was a Rapid Rectilinear, full aperture; plate used was a Cramer Medium Isochromatic; exposure given, 1/2 second, with a B. & J. Ideal ray filter. The plate was developed in a dilute pyro-soda developer, enlarged from an undoctored negative on Royal Bromide paper - the sky portion receiving a slightly longer exposure than the foreground, - and redeveloped in sodium sulphide. (See Page 290.)

Study No. 12. Title, "Pleasures Under Summer Skies," by Wm, T. Knox, New York, N. Y. This picture was made in very bright sunlight; exposure was made in the morning; the lens used was a Plastigmat; focal length, 8 1/2 inches; stop used, No. 8; exposure given, 1-50 of a second; plate used was a Cramer Instantaneous Isochromatic; developed in pyro-acetone. Diffusion was obtained in the focusing. Printing process, sepia Platinum, mounted on a combination mount, first section, deep brown, second section, salmon color. (See Page 129.)

Study No. 14. Title, "Fairy Tales," by Edmond L. Sanderson, Waltham, Mass. The weather conditions when making this picture were cloudy, but a good, bright light prevailed. Exposure was made at 2 p.m.; lens used was a rectilinear of a 6 1/2 inch focus; stop used, U. S. No. 8. The negative was made on a 4 x 5 film pack; exposure given, about 2 seconds, with a bulb; the film was developed with ortol, with no alteration after development. The film was after enlarged on bromide. My present practice is to make a positive, either on a contrasty plate or a rapid plate. The former is used for flat negatives and the latter for harsh ones. I then make my enlarged negative usually of 5 x 7 size, and produce contact prints with paper that seems most suitable. The print was mounted on carbon black mount. (See Page 139.)

Study No. 8. Title, "Day is Far Spent," by C. F. Clarke, Springfield, Mass. This picture was hung in the Third American Salon, also in Paris, at the Salon Club exhibitions during 1906. The picture was made at 4:30 p. m., in the month of October, the day being quite cloudy. The lens used was a Goerz No. 3, 9 inch focus; stop used, U. S. No. 4; exposure given, 6 seconds, with a screen; the plate used was an Orthonon; developed in ortol, with no after manipulation. (See Page 71.)