If cooking be a science, then serving is an art. It perhaps more closely resembles painting than any-other, for a well-spread table should be a picture, and each separate dish a choice bit in the landscape. The invalid's tray should be a dainty Dresden water-color of delicate hues and harmonious tints.

It is not easy to give definite directions in regard to serving, for it involves so much of good taste in so many directions, and depends so largely upon the individual and the circumstances. It requires intelligent study, a cultivated habit of thought, and the appreciation of symmetry, and the harmony of colors; to do it well one must ever judge anew and arrange again, for no two meals are exactly alike in all their details.

Of course, the most important thing in serving is the thing to be served. A badly prepared or unwholesome dish, no matter how beautifully it may be presented, is worthless - perhaps even worse, for it may prove a positive source of evil. An indifferently done steak, served on a silver platter, is less acceptable than one perfectly cooked on plain china, or a bit of burned toast on Dresden ware than a daintily browned piece on a common white plate. Put the force, therefore, of your efforts on securing that which is wholesome in itself, adapted to the needs of the patient, and perfectly cooked; then serve it in the most attractive manner at your command.

Good serving is a necessity for the sick. It should never be regarded as simply ornamental. When a person has the hunger of health, colors and dishes are not of great account; but when one is ill, or exhausted with fatigue, sometimes a pretty color, a dainty cup, or beauty of arrangement makes all the difference, and one is tempted to eat when otherwise the food would remain untouched.

Simplicity should rule at all times the arrangement of an invalid's tray. Anything like display is entirely out of place. Japanned trays of oval shape are the ones in general use. "When one is fortunate enough to possess a silver tray, the dishes may be placed directly upon it, or on a doily, which covers the center of it. All other trays should be completely covered with a dainty snowy napkin, or tray-cloth.

After the napkin has been neatly spread upon the tray, place a plate in the middle of the side nearest to you, and then arrange the other dishes about it, with the tiny earthen teapot on the right, and the sugar-bowl and cream-pitcher of silver next to it; the knife, fork, and spoons should be on the right and left of the plate, never in front of it. The various dishes to be served should then be arranged symmetrically in other parts of the tray, not scattered about without the appearance of order.

Never crowd a tray. Calculate beforehand how many dishes you will probably have, and select a size accordingly. Serve a single glass or a single cup on a small round or oval tray with a doily, never on a large tray, such as might be selected for a meal.

When practicable use silver dishes for meats, soups, coffee, hot milk, or any hot food; when these cannot be had, use hot china.

Avoid discords in color. Most women have an instinctive appreciation of color, and by giving some thought to the subject of harmonies, and observing the methods of others who are known to have good taste in such matters, bad blunders in the arrangement of a tray or a table may be avoided.

Red with yellow, blue with green, and yellow with pink are inharmonious combinations of color; but yellow with white, blue with white, dull orange with brown, violet, and pale gold are exquisite together.

A cup of chocolate in pale pink or dull red, coffee in buttercup yellow, especially when served without cream, and green tea in Nile green, appeal to the eye as well as to the taste, giving double pleasure - gratifying two senses instead of one.

Color plays a very important part in serving food. It produces strong effects in some persons who are deeply moved by harmonies or discords in it, as others are by harmonies or discords in music. Color appeals to the esthetic side of some natures much more forcibly than many of us are aware.

The story is told of a lady, possessed of unusually keen color-perception, who had been living for many months in a house furnished in monotonous hues, and in which the table was always set in plain white cloth and white china. Being invited to lunch with a friend in the neighborhood, she was moved to tears at the sight of a beautiful table, decorated with a scarlet cloth, flowers, and harmoniously contrasting colored china.

The effect of the colors upon the emotions was similar to that which is sometimes produced by an exquisite strain of music. Who can say how much of subtle refining influence may be exerted by such things? Regarded as a general thing only in the light of the ornamental, they are too often looked upon as luxuries, and therefore dispensable; but whatever ministers to the esthetic side of the mind must be elevating, and the influence of neatness, of beautiful surroundings, of harmonious colors, of art in any form, inevitably produces an effect upon character. In time such surroundings become necessities, and when the individual is deprived of them they are missed, and he feels a sense of dissatisfaction with those of meaner kind - perhaps dissatisfaction with a poorer or lower life in any way - and imperceptibly these seeming ornaments of existence may be the means which shall lift many an one into a higher plane of life, so that, aside from their practical value, all the niceties of household affairs may have a lasting effect for good upon character.

To be progressive, one must be constantly in a frame of mind to learn, and ever on the alert for information. Fashions change in serving foods as in other things. However, there are certain fixed principles which always remain unchanged. Perfect neatness, orderly and pleasing arrangement, and harmonious coloring are ever essential.