THE furniture of the American colonies was at first of English manufacture, but before long cabinet-makers and joiners plied their trade in New England, and much of the furniture now found there was made by the colonists. In New Amsterdam, naturally, a different style prevailed, and the furniture was Dutch. As time went on and the first hardships were surmounted, money became more plentiful, until by the last half of the seventeenth century much fine furniture was imported from England and Holland, and from that time fashions in America were but a few months behind those in England.

In the earliest colonial times the houses were but sparsely furnished, although Dr. Holmes writes of leaving -

"The Dutchman's shore, With those that in the Mayflower came, a hundred souls or more, Along with all the furniture to fill their new abodes, To judge by what is still on hand, at least a hundred loads."

If one were to accept as authentic all the legends told of various pieces, - chairs, tables, desks, spinets, and even pianos, - Dr. Holmes's estimate would be too moderate.

The first seats in general use were forms or benches, not more than one or two chairs belonging to each household. The first tables were long boards placed upon trestles. Chests were found in almost every house, and bedsteads, of course, were a necessity. After the first chairs, heavy and plain or turned, with strong braces or stretchers between the legs, came the leather-covered chairs of Dutch origin, sometimes called Cromwell chairs, followed by the Flemish cane chairs and couches. This takes us to the end of the seventeenth century. During that period tables with turned legs fastened to the top had replaced the earliest "table borde" upon trestles, and the well-known "hundred legged" or "forty legged" table had come into use.

Cupboards during the seventeenth century were made of oak ornamented in designs similar to those upon oak chests. Sideboards with drawers were not used in this country until much later, although there is one of an early period in the South Kensington Museum, made of oak, with turned legs, and with drawers beneath the top.

Desks were in use from the middle of the seventeenth century, made first of oak and later of cherry and walnut. Looking-glasses were owned by the wealthy, and clocks appear in inventories of the latter part of the century. Virginals were mentioned during the seventeenth century, and spinets were not uncommon in the century following.

With the beginning of the eighteenth century came the strong influence of Dutch fashions, and chairs and tables were made with the Dutch cabriole or bandy leg, sometimes with the shell upon the knee, and later with the claw-and-ball foot. Dutch high chests with turned legs had been in use before this, and the high chest with bandy legs like the chairs and tables soon became a common piece of furniture. With other Dutch fashions came that of lacquering furniture with Chinese designs, and tables, scrutoirs or desks, looking-glass frames, stands, and high chests were ornamented in this manner.

The wood chiefly used in furniture was oak, until about 1675, when American black walnut came into use, and chests of drawers, tables, and chairs were made of it; it was the wood oftenest employed in veneer at that time.

Sheraton wrote in 1803 : "There are three species of walnut tree, the English walnut, and the white and black Virginia. Hickory is reckoned to class with the white Virginia walnut. The black Virginia was much in use for cabinet work about forty or fifty years since in England, but is now quite laid by since the introduction of mahogany."

Mahogany was discovered by Sir Walter Raleigh in 1595. The first mention of its use in this country is in 1708. Mr. G. T. Robinson, in the London Art Journal of 1881, says that its first use in England was in 1720, when some planks of it were brought to Dr. Gibbon by a West India captain. The wood was pronounced too hard, and it was not until Mrs. Gibbon wanted a candle-box that any use was made of the planks, and then only because the obstinate doctor insisted upon it. When the candle-box was finished, a bureau {i.e. desk) was made of the wood, which was greatly admired, and as Mr. Robinson says, "Dr. Gibbon's obstinacy and Mrs. Gibbon's candle-box revolutionized English household furniture; for the system of construction and character of design were both altered by its introduction." It is probable that furniture had been made in England of mahogany previous to 1720, but that may be the date when it became fashionable.

The best mahogany came from Santiago, Mexican mahogany being soft, and Honduras mahogany coarse-grained.

The earliest English illustrated book which included designs for furniture was published by William Jones in 1739. Chippendale's first book of designs was issued in 1754. He was followed by Ince and Mayhew, whose book was undated; Thomas Johnson - 1758; Sir William Chambers - 1760; Society of Upholsterers - about 1760; Matthias Lock - 1765; Robert Manwaring - 1766; Matthias Darly - 1773; Robert and J. Adam - 1773; Thomas Shearer (in "The Cabinet-makers' London Book of Prices") - 1788; A. Hepplewhite & Co. - 1789; Thomas Sheraton - 1791-1793 and 1803.

Sir William Chambers in his early youth made a voyage to China, and it is to his influence that we can attribute much of the rage for Chinese furniture and decoration which was in force about 1760 to 1770.

Thomas Chippendale lived and had his shop in St. Martin's Lane, London. Beyond that we know but little of his life. His book, "The Gentleman's and Cabinet-Maker's Director," was published in 1754, at a cost of £3.13.6 per copy. The second edition followed in 1759, and the third in 1762. It contains one hundred and sixty copper plates, the first twenty pages of which are taken up with designs for chairs, and it is largely as a chair-maker that Chippendale's name has become famous. His furniture combines French, Gothic, Dutch, and Chinese styles, but so great was his genius that the effect is thoroughly harmonious, while he exercised the greatest care in the construction of his furniture - especially chairs. He was beyond everything a carver, and his designs show a wealth of delicate carving. He used no inlay or painting, as others had done before him, and as others did after him, and only occasionally did he employ gilding, lacquer, or brass ornamentation.